While the science is intriguing, the ridiculously high body count feels gratuitous and comes at the cost of much-needed...
A young girl holds the key to an explosive, decades-old mind-control experiment gone wrong in Thomas’ debut thriller.
When 11-year-old Ashanique Walters claims to “see” the death of Pvt. George Edwin Ellison, a soldier who died in Belgium in 1918, Ashanique’s mother, Janice—who, as a child, was the subject of an experiment to alter memories called Project Clarity—knows that Ashanique will need help soon. The visions will get worse, eventually overwhelming her and driving her insane. When Dr. Matilda Deacon, a University of Chicago professor who has been working to unlock the mysteries of memory, hears about Ashanique, she's intrigued by the girl's mind-blowing tale. Unfortunately, because of Matilda’s visit, word of Ashanique’s visions gets to the people Janice fears the most, and Janice knows they’ll have to run. Janice is good at this—she’s been on the run from the Clarity scientists for 20 years. When knife-wielding men in scrubs, dubbed the “Night Doctors,” come for her and Ashanique, they escape and head to Matilda’s workplace, where Janice hopes to find a supply of MetroChime, which will keep Ashanique’s visions at bay. Rade, an ultracreepy assassin who’s convinced he’s more than human, is given the job of bringing Janice in, convinced she alone possesses something they call the "solution." When Rade captures Janice, Matilda takes Ashanique and goes on the run to protect her. Rade is close behind, and he doesn’t hesitate to kill anyone in his way. There might be people who can help Ashanique, if she and Matilda can make it to them alive. Luckily, they have intrepid homicide detective Kojo Omaboe, who also sees something special in Ashanique, on their side. The idea of accessing past lives and memories is an intriguing one, but the precise goal of the experimentation isn't made clear. Glimpses of Ashanique's visions into the lives of various people of the past, such as a family that lived more than a million years ago and a young boy in 17th-century India, don’t do much to lift this out of generic hunt-and-chase territory.
While the science is intriguing, the ridiculously high body count feels gratuitous and comes at the cost of much-needed character development. Empty thrills.Pub Date: Feb. 20, 2018
ISBN: 978-1-5011-5693-9
Page Count: 304
Publisher: Leopoldo & Co/ Atria
Review Posted Online: Nov. 27, 2017
Kirkus Reviews Issue: Dec. 15, 2017
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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