An enjoyable political thriller despite its flaws.
In this thriller, an FBI agent and a former New York Police Department detective investigate a conspiracy to tamper with a presidential election.
In 2024, the United States is riven by partisan dispute, cleaved into two acrimonious and irreconcilable halves, a mutual contempt expressed in the presidential election pitting Democratic candidate Katie Crandall against Republican candidate Bob Lutz. The political left believes a Republican victory would replace democracy with fascism, while the political right interprets a Democratic victory as the death of American values. David Flynn had to take a job as a deputy sheriff in Hamilton County, Ohio, after being kicked off the NYPD for accidentally shooting a Black youth. He uncovers evidence of intentional voter fraud affecting the vote counts in the battleground states of Ohio and Georgia—interference that might have led to a tipping of the electoral scales to Crandall. Flynn teams up with beautiful FBI agent Marla Devereaux—with her “exotic almond-shaped eyes” and “cheekbones any aspiring fashion model would kill for”—to quietly investigate a crime that could send the nation spiraling into civil war. Thompson conjures a political drama as electrifying as it is plausible, one that illuminates the fragility of the electoral system as well as the nation’s fractured psyche. The deeper the pair digs, though, the more it seems like the fraud they’ve discovered is part of a deeper conspiracy, one that transcends internecine polarization. The relationship between Flynn and Devereaux is microcosmic of the country’s angry division at first—she expects him to be a “Trump-loving troglodyte”—as he’s a lifelong Republican, and she’s a liberal Black woman. Their eventual (and predictable) romantic entanglement seems to point toward the possibility of greater political harmony on the national stage: a hopeful note in Thompson’s otherwise bleak vision.
The plot is frantically paced—it has the feel of a cinematic thriller, packed with action and intrigue. Furthermore, the author keenly documents the ways in which a generally prosperous nation can still suffer badly under the weight of gathering division. Thompson’s writing style is the weakest aspect of the book—it is antiseptically bland. He occasionally indulges in a sort of condescending didacticism, one that purveys well-worn, obvious lessons. Here is Flynn’s turn at sermonizing: “A nation’s policies should be based on reality, however unpleasant or inconvenient, or those policies are doomed to fail. When the truth no longer matters, demagogues, opportunists, and ideologues are free to fill the void with whatever lies and false narratives serve their purpose—and that’s never good for a nation.” These preachy platitudes threaten to undermine the book as a whole, although luckily this sort of collapse is narrowly avoided. However, this is not the kind of political meditation one finds in a book like Philip Roth’s The Plot Against America (2004)—a brilliant work of historical hypothesis. Rather, Thompson offers a dramatic page-turner, an eventful (if uneven) thriller based on a thoroughly intelligent premise. If read in this light, this is an entertaining novel, and even a touch more than that. An enjoyable political thriller despite its flaws.Pub Date: Sept. 13, 2022
ISBN: 9780990686255
Page Count: 252
Publisher: NorLightsPress
Review Posted Online: Dec. 16, 2022
Review Program: Kirkus Indie
A grim theme with a compelling and complex plot.
A one-eyed boy becomes a monster’s prey in this chilling tale of missing children.
Thirteen-year-old Missouri boy Joseph “Patch” Macauley was born with one eye, so he wears an eye patch and imagines himself a pirate. In 1975, he sees a masked man assaulting a girl in the woods. He attacks the man and saves her, but the predator kidnaps him instead. Patch eventually wakes in total darkness in a cellar where a different girl secretly visits him, heard but always unseen. He learns that her name is Grace and that there have been other girls down there before. Grace paints vivid word pictures of the places she’s seen and of stories by authors like Steinbeck. “Pray and stay alive,” she whispers to Patch. Eventually he escapes, but she is nowhere to be found. Searching for Grace is the underlying thread in a complicated quest that takes unexpected turns over the years and might well bring heartbreak. Meanwhile, the bodies of three girls turn up locally, and their parents grieve. Is the town doctor responsible for their deaths? A local school photographer? Both? Patch paints an image of Grace based only on what he’d heard from her in the cellar; then come more paintings and displays in an art gallery—an implausible achievement for an untrained artist. Meanwhile, Grace may be anywhere, and he must find her whether alive or dead. By now an adult, he “pinball[s]” from state to state, meeting with “a dozen families looking for a dozen lost girls.” To sustain himself he robs banks with an unloaded flintlock, and he shares his loot with organizations that are looking for missing children. He has “reasoned the truest proof of life [is] pain,” and he vows that he will die before he quits his search. This is much more than a whodunit, though it fills that bill well. It is also a richly layered tale of love, loss, and hope.
A grim theme with a compelling and complex plot.Pub Date: June 25, 2024
ISBN: 9780593798874
Page Count: 608
Publisher: Crown
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
PROFILES
This complicated gothic thriller of dueling spouses and homicidal writers is cleverly plotted and neatly tied up.
An unhappy British couple attempt to rekindle the magic with a weekend trip to a remote spot in Scotland.
How is she tricking me? Feeney, the author of Sometimes I Lie (2017) and His and Hers (2020), has trained her readers to start asking this question immediately with her puzzle-box narratives. Well, you won't find out here. Only the basics: Amelia's won a weekend getaway in an office raffle, and as the novel opens, she and her screenwriter husband, Adam, who suffers from face blindness, along with their dog, Bob, are miserably making their way through a snowstorm to a destination in the Scottish Highlands which is no Airbnb Superhost, that's for sure. A freezing cold, barely converted church with many locked rooms and malfunctioning electricity, the property also features a mysterious caretaker who has left firewood and a nice note but seems to be spying through the window. Both Adam and Amelia seem to be considering this weekend the occasion for ending the marriage by any means necessary—then Bob disappears. The narrative goes back and forth with first-person chapters by Amelia and Adam interleaved with a series of letters written to Adam on their anniversary through the years and keyed to the traditional gifts: paper, cotton, wood, leather, etc. There's also a rock and a scissors, referring to the children's game of the book title, which the couple use to make everyday decisions like "Should we stay together?" Offstage is the famous writer Henry Winter, whose novels Adam has made his fortune adapting; through several author-characters, Feeney weaves in sometimes-grim observations about the literary life. On meeting a sourpuss cashier at the rural grocery store: "The woman wore her bitterness like a badge; the kind of person who writes one-star book reviews."
This complicated gothic thriller of dueling spouses and homicidal writers is cleverly plotted and neatly tied up.Pub Date: Sept. 7, 2021
ISBN: 978-1-250-26610-1
Page Count: 304
Publisher: Flatiron Books
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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