Look, up in the sky! It's a bird! A plane! A UFO! An angel! It's all of this and more, according to free-lancer Thompson (New Age magazine, etc.), whose debut book champions the view that flying saucers have soared to earth from ``mythic horizons and imaginal realms,'' and that the public's fascination with these pixilated objects is really ``a religious search to recover lost intimacy.'' As Thompson observes, most ufologists fall into two camps- -those who identify UFOs as alien spacecraft, and those who see them as psychic constructions. Thompson tries to straddle the divide—he says that UFOs may yet turn out to be technological hardware—but clearly his sympathies lie with those who consider saucers to be ``an idea at work in the world soul.'' As a result, the authorities he cites are usually psychologists or New Age-y scientists (Jung, Bateson) rather than engineers or private eyes. The argument zips along—this is great fun to read—but suffers from forced parallels (for instance, between UFOs and angels, an equation that glosses over the tawdriness of the former, the numinous nature of the latter) and awkward mythological explanations (UFOs as Proteus incarnate). Of much greater value is Thompson's exciting history of ufology, from the first modern sightings in 1947 through Whitley Strieber's bestselling confessions of the late 1980's. With stronger focus, this might have been the definitive story; instead, it is the first to trace all major strands in UFO research with intelligent, if sometimes wispy, analysis. Great for UFO buffs. Others will find the New Age stance weird, but, then again, as Thompson says, ``we're talking about UFOs after all. Nothing could be stranger....''
Pub Date: Nov. 21, 1991
ISBN: 0-201-55084-9
Page Count: 288
Publisher: Addison-Wesley
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Oct. 1, 1991
Categories: GENERAL NONFICTION
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Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
Categories: GENERAL NONFICTION
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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)
Pub Date: May 1, 1995
ISBN: 0-19-508629-4
Page Count: 224
Publisher: Oxford Univ.
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 1995
Categories: GENERAL NONFICTION
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