Continent hopping, clandestine meetings, cruelty, and cuddles—and that’s only the C’s.
An experienced, cynical CIA investigator faces many changes: a replacement boss, a new partner, a reunited lover, and a London assignment, which turns deadly.
In this sequel, blunt CIA investigator Dennis Cunningham meets his new, young-looking boss, Louise Nordland, and asks, “So how old are you then?” His fresh assignment: investigate the disappearance of Richard Arnold, a veteran of the agency and its deputy chief of station in London. The House Intelligence Committee chairman requests that Dennis search for Arnold, rumored to have been taken by Islamic terrorists. The agent is paired with paunchy, affable Fred Kaczka, a member of the National Security Agency’s Inspector General’s Office. The pair travels to London to track down Arnold and probe a possible Russian connection. Also jetting there is Judy White, the Australian policewoman whom Dennis wooed while on assignment Down Under in the thriller series’ previous volume. When reunited with her blue-eyed Yank, White reveals a new sun tattoo at the base of her spine. “Just thought I’d be daring. I lead such a dull life,” the divorced single mother explains. But their pleasurable reunion is short-lived. White vanishes while jogging through London. Is her disappearance payback for Dennis’ digging into Arnold’s disappearance? Or was she kidnapped in connection with an Australian case? Ultimately, can she be found alive, as police have discovered graves holding limbless torsos that have had their tattoos removed by razors? Readers of Yocum’s (Color of Blood, 2015, etc.) first installment may feel that he relies too much on torture and hospital scenes, but those new to the series will be missing some backstory. For example, Dennis’ adult daughter, Beth, introduced in the first book, is not even given lip service here. Nevertheless, this taut and entertaining thriller benefits from fierce and quirky characters (Fred is a Henny Youngman aficionado), requisite twists, and intriguing relationships (Dennis and White predict early on that their London rendezvous will result in either a permanent sizzle or the final fizzle of their long-distance liaison). Yocum also delivers convincing dialogue (At one point, Dennis discusses moving to a new country: “I don’t have a job in Australia. I just started back to work here. I like what I do. What am I going to do there, play golf every day? I don’t play golf. Take photos of kangaroos?”).
Continent hopping, clandestine meetings, cruelty, and cuddles—and that’s only the C’s.Pub Date: N/A
ISBN: N/A
Page Count: 417
Publisher: Dog Ear Publisher
Review Posted Online: April 4, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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