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THE GIRL WHO WROTE IN SILK

Though there are a few unnecessary coincidences, Estes' debut is a pleasing blend of historical fiction and contemporary...

In a house on Orcas Island, the stories of two young women unfold: a 19th-century Chinese-American and a recent college graduate trying to piece together a mystery left behind.

Inara Erickson, just out of business school, has a corporate job at Starbucks waiting for her. She just needs to settle her aunt's estate before she steps into adulthood. Aunt Dahlia has left her Rothesay, the family compound on Orcas Island in the Puget Sound. But when Inara gets there, she begins to take Dahlia's old dream of turning the place into a hotel seriously. While poking around, she finds a piece of elaborately embroidered cloth hidden in a stair tread. She returns to Seattle with two objectives: to find out more about the embroidered sleeve and to convince her father to finance her conversion of Rothesay into a boutique hotel. Alternating with Inara's story, Mei Lien's tragic tale comes to light. Born in Seattle, she lives with her father and grandmother above their dry goods shop until public sentiment turns violent. On the tail of the Chinese Exclusion Act, her whole neighborhood is forced onto a boat for China. But the ship's racist owner, Inara's great-great-great grandfather Duncan Campbell, has other plans—to dump his human cargo into the sea. Mei Lien is rescued by Joseph McElroy and brought to his homestead on Orcas. They fall in love, marry, and have a son but are ostracized—and worse yet, Duncan Campbell is their neighbor. Meanwhile, Inara is beginning her own romance with Daniel Chin, an academic who's helping her research the origin of her embroidered cloth. When Inara discovers that her ancestor, soon to be commemorated in a city park, is a mass murderer, she has to decide whether to reveal her secret.

Though there are a few unnecessary coincidences, Estes' debut is a pleasing blend of historical fiction and contemporary drama.

Pub Date: July 7, 2015

ISBN: 978-1-4926-0833-2

Page Count: 400

Publisher: Sourcebooks Landmark

Review Posted Online: July 12, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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