Most pre-readers know the answer to that one—and they’d better, to make sense of this breezy (in several senses) but confusing effort. A sudden wind carries newly hatched Little Chick off to a cow’s stall, where his request for shelter is met with a counter-request for the Magic Word. No sooner does he learn that it’s not “Peep-peep” but “Moo-moo,” than that wind sweeps him away to a beehive—where the Word’s not “Moo-moo” but “Buzz-buzz.” And so on, past hound (“Bow-wow”), owl (“Hoo-hoo”) and pig (“Oink-oink”), until Little Chick fetches up back at the nest, where his mother informs him that the Magic Word is none of the above—it’s “Please.” Advocates of an English-only curriculum, take note. Little Chick and his mom look like ruffled, diminutive cousins of Big Bird in Winborn’s simple farmyard scenes, but there the resemblance to Sesame Street’s multicultural viewpoint ends. (Picture book. 5-7)
Pub Date: Jan. 1, 2005
ISBN: 0-06-000578-5
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Dec. 15, 2004
Categories: CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES
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Hee haw.
11
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 29, 2018
Categories: CHILDREN'S ANIMALS
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.
"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.
The rare immigrant chronicle that is as long on hope as it is on heartbreak.Pub Date: March 2, 2021
ISBN: 978-1-982159-46-7
Page Count: 208
Publisher: Avid Reader Press
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Categories: LITERARY FICTION | FAMILY LIFE & FRIENDSHIP
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SEEN & HEARD
The creators of the Katie Woo series turn their focus to a peripheral character, first-grader Pedro—Katie’s friend and schoolmate.
Four short chapters—“Pedro Goes Buggy,” “Pedro’s Big Goal,” “Pedro’s Mystery Club,” and “Pedro For President”—highlight a Latino main character surrounded by a superbly diverse cast. At times unsure of himself, Pedro is extremely likable, for he wants to do his best and is a fair friend. He consistently comes out on top, even when his younger brother releases all the bugs he’s captured for a class assignment or when self-assured bully Roddy tries to unite opposition to Pedro’s female opponent (Katie Woo) in the race for first-grade class president. Using a third-person, past-tense narrative voice, Manushkin expands her repertoire by adding a hero comparable to EllRay Jakes. What is refreshing about the book is that for the most part, aside from Roddy’s gender-based bullying, the book overcomes boy-girl stereotypes: girls and boys play soccer, boys and girls run for president, girls and boys hunt for bugs, all setting a progressive standard for chapter books. With mixed-media illustrations featuring colorful bugs, soccer action, a mystery hunt, and a presidential campaign, Lyon’s attention to detail in color and facial expressions complements the story nicely.
This earnest Latino first-grader who overcomes obstacles and solves mysteries is a winning character . (Fiction. 5-7)Pub Date: Sept. 1, 2016
ISBN: 978-1-5158-0112-2
Page Count: 96
Publisher: Picture Window Books
Review Posted Online: June 1, 2016
Kirkus Reviews Issue: June 15, 2016
Categories: CHILDREN'S SOCIAL THEMES
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