by Kelly Leigh Miller ; illustrated by Kelly Leigh Miller ‧ RELEASE DATE: July 21, 2020
A diverting, nonfrightening vampire story with a message.
You’ve got tooth problems? What should Dracula do?
Young Dracula loves his pointy, sharp fangs. They’re his heritage. He brushes and flosses regularly, and a wiggly fang worries him. When it falls out, he’s horrified! He resorts to fix-it measures: taping, tying, and sticking it with gum. One night he catches the Tooth Fairy in the act of “stealing” the fang. Mom and dad gently explain the truth and help Drac relinquish his prize. Eventually, a new fang grows in. Guess who shows it off—and can’t wait for the other fang to fall out? For leery kids at the wiggly-tooth stage and just in time for Halloween, here’s a fun take on the I’m-afraid-to-lose-my-baby-teeth trope. Using very simple language, Dracula clearly conveys his and many kids’ fears. The parents helpfully make their point comprehensible, too: It’s the Tooth Fairy’s job to take fangs so strong adult teeth can grow; understanding the Tooth Fairy’s sadness at not being able to do her job makes it easier to let it go. And a new tooth does emerge. Happily, good oral hygiene is stressed. Text is set in all capitals; different types are sometimes incorporated to funny, emphatic effect. Humorous, expressive illustrations appeal with strong lines and colors. Widow-peaked Dracula is winsome, as are his monster pals. He and his parents are ghastly white, but their family portraits have diverse skin and hair colors.
A diverting, nonfrightening vampire story with a message. (Picture book. 4-7)Pub Date: July 21, 2020
ISBN: 978-1-5344-5210-7
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Kelly Leigh Miller ; illustrated by Kelly Leigh Miller
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 23, 2022
Chilling in the best ways.
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When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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by Aaron Reynolds ; illustrated by Cam Kendell
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PERSPECTIVES
by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by John Segal & illustrated by John Segal
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by John Segal & illustrated by John Segal
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by John Segal & illustrated by John Segal
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