A page-turning coming-of-age tale that offers an offbeat spin on the YA suspense genre.
In author Vincent’s debut, a Midwestern teenager learns that everything she’s been told about her childhood is a lie.
Bright, outgoing, and athletic Loretta “Retta” Brooks, a 15-year-old girl in small-town Buckley, Iowa, has been home-schooled her whole life and has spent a lot of time alone. Her mother has long told her that they were the sole survivors of a van accident that killed Retta’s father and all four of her grandparents. Now, as the teen enters public high school, she still feels the effects of her mom’s constant hovering, as the latter works in the school lunchroom. Her mother explains that she’s preoccupied with Retta’s safety and security because of the long-ago accident. But when Retta later tries to secure a copy of her birth certificate from their native Nebraska, only to come up empty-handed, she starts to doubt the murky car-crash account. She soon realizes that her mother has been feeding her a false narrative. A shocking criminal act makes Retta call a phone number that her mother made her memorize for emergencies, which sends her into a Midwest underground of protective strangers and safe houses. There are certainly elements of this story that call to mind the psychological thrillers of Mary Higgins Clark, but Vincent intriguingly chooses to focus on the young protagonist’s feelings of anger, grief, rebellion, and helpless bewilderment when she finds out that nothing she thought she knew is true—including her own name. (Readers may also recall Robert Cormier’s 1977 YA mainstay I Am the Cheese.) The story occasionally pairs Retta with Jack, a potential boyfriend from a Punjabi immigrant household whose members deal with their own issues of control and conservatism; this adds an intriguing multicultural note to the story and deepens its exploration of themes of identity. The author also appends an essay to her gripping story, addressing domestic violence and the personal and social pathologies it breeds.
A page-turning coming-of-age tale that offers an offbeat spin on the YA suspense genre.Pub Date: Feb. 3, 2020
ISBN: 978-1-5092-2903-1
Page Count: 324
Publisher: The Wild Rose Press
Review Posted Online: Dec. 2, 2021
Kirkus Reviews Issue: Feb. 1, 2022
Review Program: Kirkus Indie
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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