A page-turning coming-of-age tale that offers an offbeat spin on the YA suspense genre.
In author Vincent’s debut, a Midwestern teenager learns that everything she’s been told about her childhood is a lie.
Bright, outgoing, and athletic Loretta “Retta” Brooks, a 15-year-old girl in small-town Buckley, Iowa, has been home-schooled her whole life and has spent a lot of time alone. Her mother has long told her that they were the sole survivors of a van accident that killed Retta’s father and all four of her grandparents. Now, as the teen enters public high school, she still feels the effects of her mom’s constant hovering, as the latter works in the school lunchroom. Her mother explains that she’s preoccupied with Retta’s safety and security because of the long-ago accident. But when Retta later tries to secure a copy of her birth certificate from their native Nebraska, only to come up empty-handed, she starts to doubt the murky car-crash account. She soon realizes that her mother has been feeding her a false narrative. A shocking criminal act makes Retta call a phone number that her mother made her memorize for emergencies, which sends her into a Midwest underground of protective strangers and safe houses. There are certainly elements of this story that call to mind the psychological thrillers of Mary Higgins Clark, but Vincent intriguingly chooses to focus on the young protagonist’s feelings of anger, grief, rebellion, and helpless bewilderment when she finds out that nothing she thought she knew is true—including her own name. (Readers may also recall Robert Cormier’s 1977 YA mainstay I Am the Cheese.) The story occasionally pairs Retta with Jack, a potential boyfriend from a Punjabi immigrant household whose members deal with their own issues of control and conservatism; this adds an intriguing multicultural note to the story and deepens its exploration of themes of identity. The author also appends an essay to her gripping story, addressing domestic violence and the personal and social pathologies it breeds.
A page-turning coming-of-age tale that offers an offbeat spin on the YA suspense genre.Pub Date: Feb. 3, 2020
ISBN: 978-1-5092-2903-1
Page Count: 324
Publisher: The Wild Rose Press
Review Posted Online: Dec. 2, 2021
Kirkus Reviews Issue: Feb. 1, 2022
Review Program: Kirkus Indie
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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