Next book

ROOTLINES

A POETRY COLLECTION

A stunning ode to a landscape that the author knows intimately.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A diverse collection of nature poetry by a queer, neurodivergent poet from Appalachia.

This book was inspired by the author’s small mountain hometown in North Carolina, and throughout these poems, Day reminisces about its beauty. She opens with “a little night music,” which reads like symphonic instructions to a composer. The speaker in “of earth:” wonders how Mother Nature felt on the day humans were born, while in “three sisters trail,” she “lay[s] traps for juniper.” The speaker discloses her deepest fears and a secret in “gently.” A daughter who defies all expectations (in a bad way) is the subject of “the accidental birth of a mouth,” while “field guide for the appalachian summer” lists all the necessary elements for that sweltering season, from the basic (“a body of water” and “a willow tree”) to the unexpected (an “empty church” and a “carved death stone”). The poem “places i wish I haven’t hidden” is a numbered list that explores all the forms of making oneself invisible, and “earthly pleasures” enumerates the sights, sounds, and scents of a Southern childhood. Day plays with form throughout, keeping the reader engaged, and her descriptions thrum with energy: She recalls how “the grass sizzles, seizes my bare feet” as she and her companions “cradle crawling pulses between our knuckles” while catching insects. Her verbs are lively and evocative as she listens to “the stony bank crackle” and watches the “juncos glitter,” and her metaphors dazzle with acorns that are “messy fleshy hearts” and a hummingbird that’s a “a clock, tightly wound.” The sole flaw of this collection is a failure to follow through on a detailed exploration of the effects of “climate change and a carbon-based economy,” noted in the introduction; instead, the narrative centers itself firmly in nostalgia. However, the author notes that she’s donating profits from the second edition of this collection to the Indigenous Environmental Network.

A stunning ode to a landscape that the author knows intimately.

Pub Date: April 20, 2021

ISBN: 978-0-57-890141-1

Page Count: 84

Publisher: Self

Review Posted Online: June 18, 2021

Kirkus Reviews Issue: Aug. 1, 2021

Awards & Accolades

Likes

  • Readers Vote
  • 380


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 380


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Close Quickview