A well-written, thoughtful mystery with humor, sturdy lead characters, and a surprising wrap-up.
This sequel finds a retired Tennessee detective pondering the suspicious death of a locally prominent artist, stirring up an investigation that exposes the dark underbelly of the international art market.
The lifeless body of quirky and evidently much hated artist Bechman Fitzwallington, ne Billy Wayne Farmer, is discovered by a neighbor in Nashville. Police Detective Hardy Seltzer is called to the scene. He observes the corpse, which “lay uncovered on a brass-framed bedstead. The hands were folded across a generous expanse of stomach, and a hint of a smile tugged at the corners of a mouth that all but disappeared beneath a big bush of ivory-white moustache.” There are no overt signs of foul play. Seltzer figures the older guy probably died of natural causes. The political higher-ups, anxious to promote Nashville’s burgeoning reputation as a center for the visual arts, are pushing the detective to declare that there is no case to investigate. But as Seltzer interviews the eccentric assortment of people in Fitzwallington’s inner circle (including his daughter, SalomeMe), he discovers there are many who had more than enough reason to welcome the unpleasant man’s demise. Seltzer shares his vague feelings of discontent with his friend Shane Hadley—affectionately referred to as “Sherlock Shane Hadley” by those who know of his famed investigative acumen. Shane’s storied career was derailed when a bullet landed in his thoracic spinal cord, leaving him restricted to a wheelchair. A devotee of Holmes’ deductive methodology—as well as of his own illegally imported special Oxford Lincoln College sherry—Shane still has the intellectual heft to helm an entertaining series that depends on cerebral rather than physical challenges. Brigham ensures that readers keep track of his wide array of strong characters by repeatedly using their full names throughout the amusing and unpredictable novel, lending a stylized background cadence to the polished prose. And he adds an extra level of intrigue by intertwining local personal grievances and the machinations of some elite New York art dealers with the “aging brain” research being conducted by Shane’s wife, Dr. Katya Karpov.
A well-written, thoughtful mystery with humor, sturdy lead characters, and a surprising wrap-up.Pub Date: May 31, 2020
ISBN: 978-1-944962-67-8
Page Count: 316
Publisher: Secant Publishing
Review Posted Online: May 26, 2020
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.
An author is targeted by a fan who just can’t let her go.
Arden Bowie has had plenty of tragedy in her life, but now she’s finally on top. After her parents died when she was a teenager, she moved from Brooklyn to Ohio to live with her aunt, uncle, and cousins. She soon became part of their loving family and grew up to become a writer and bookseller. When her debut novel is published, she meets Dustin Dubecki at her first event. He showers her with praise, asks for writing advice, and wants to take her out for coffee. Arden tells herself he’s just a little awkward, but then he keeps showing up at her local events—and, even stranger, she’s sure she sees him lurking at her event in New York City. When he bursts into her apartment one night and assaults her, Arden’s calm life is shattered. Dustin gets a five-year sentence at a psychiatric facility; Arden spends most of that time rebuilding her sense of stability. Eventually, she moves to Oregon to start a new life where Dustin can never find her. But even though she has a beautiful home, a thriving career, a doting family, new friends, and even a potential love interest in a former cop named Gideon Riley, Arden can’t escape Dustin’s rage when his sentence is finally up. Roberts toggles between Arden’s point of view and Dustin’s, giving the reader occasional glimpses into his extremely twisted mindset. Although Arden’s attempts to escape Dustin are engrossing, the story stalls in the middle when far too many pages are dedicated to Arden purchasing and decorating a house. But the excitement picks back up when Dustin, a truly odious villain, re-enters the story. It’s also satisfying to see Arden grow into someone who refuses to be a victim, even as she deals with horrifying circumstances.
A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.Pub Date: May 26, 2026
ISBN: 9781250413581
Page Count: 432
Publisher: St. Martin's
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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