by Ken Ellingwood ‧ RELEASE DATE: May 4, 2021
A lucid and dramatic portrait of a tormented nation.
The short, eventful life of a bold agitator against slavery.
Drawing on rich historical sources, journalist Ellingwood effectively conveys the brutal reality of pre–Civil War America, when champions of slavery, anti-slavery activists, and abolitionists clashed violently. The central character in this vibrant history is Elijah Lovejoy (1802-1837), a Presbyterian minister, newspaper editor, and temperance crusader whose relentless stance against slavery cost him his life. At first, Lovejoy distanced himself from abolitionists, widely denigrated as “madmen and insurrectionists.” Rather, he took the view that slavery should be eradicated gradually, and he backed “colonization as the best solution to the young country’s racial conundrum.” However, owning newspapers in St. Louis and Alton, Illinois, made him increasingly aware of rampant barbarity. Slavery was a sin, he declared, a stance that put him in the crosshairs of those who viciously opposed him: He was threatened with being tarred and feathered; his offices were vandalized; his printing presses were repeatedly destroyed. Pressured to go silent on the issue, he became emboldened. “I have sworn eternal opposition to Slavery,” he wrote, “and, by the blessing of God, I will never go back.” Ellingwood also follows the fortunes of other editors, including James Birney, “a son of the South, a man bred to privilege amid the slavery system,” who freed the handful of slaves he owned and unapologetically declared himself an abolitionist. Both men faced restrictions on freedom of the press. States could defend the First Amendment—or not; Southern and border states preferred not. Lovejoy proceeded bravely even in the face of mounting violence. At home, he and his brothers slept with loaded muskets next to their beds. In the end, though, he fell victim to an armed, drunken mob that stormed a warehouse where he and others guarded a new press. He became a martyr to the cause of justice, and Ellingwood clearly demonstrates his important contributions to the anti-slavery movement.
A lucid and dramatic portrait of a tormented nation.Pub Date: May 4, 2021
ISBN: 978-1-64313-702-5
Page Count: 400
Publisher: Pegasus
Review Posted Online: Feb. 16, 2021
Kirkus Reviews Issue: March 15, 2021
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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