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EYE OF THE NEEDLE

Graham Greene he's not. Not even John le Carre or Geoffrey Household. But Ken Follett is here with that particularly British tone of controlled, leisurely tension—you'll feel it on the very first page—that can transform a not-very-original spy plot into a sly gavotte that has you holding your breath as the dancers slowly come together. The familiar D-Day gimmick: only one man can ruin the secrecy of the Normandy landing—a top German undercover agent known as "The Needle" because of his deadly stiletto. But Follett immediately declares his independence from cliches: by luring us over to The Needle's point of view, forcing us to admire his ingenuity (even as he murders a harmless landlady and then his own confederate); by making three-dimensional fellows of the British intelligence men who must catch The Needle before he makes contact with a German submarine; and by dropping in the apparently extraneous story of a young, unhappy man and wife who've been living on an empty North Sea island ever since the husband lost his legs in a honeymoon car accident. Ah, but of course, we know that this couple will be linked to The Needle, and it's with satisfaction that we watch the spy being washed up, half dead, on that island in his attempt to reach a German ship. What then follows—the romance between The Needle and the lovestarved wife, their hideous and unwilling death-duel—is badly marred by explicit sex and explicit sentimentality that, like Follett's occasional anachronistic or heavyhanded fumbles, violate the tone and period feel. But perhaps it's just as well: if Follett's debut were flawless, he'd have nowhere to go. As it is, Eye of the Needle introduces a fresh if not especially distinctive voice in suspense—and is easily the best first novel in the espionage genre since The Day of the Jackal.

Pub Date: July 31, 1978

ISBN: 006074815X

Page Count: 370

Publisher: Arbor House

Review Posted Online: Sept. 23, 2011

Kirkus Reviews Issue: July 1, 1978

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EYES OF PREY

Why is Sandford's new Kidd-series novel, The Empress File (p. 120; written under his real name of John Camp), so frazzled? Maybe because this increasingly popular author is putting his finest energies into his best-selling Lucas Davenport series (Rules of Prey, 1989; Shadow Prey, 1990)—as evidenced by this strong and satisfying entry, in which the Minneapolis homicide cop tangles with two memorable psycho-killers. The killers are coldhearted burn-deformed actor Carlo Druze and handsome pill-crazed pathologist Michael Bekker, who lures Druze into a murder trade a la Strangers on a Train: Bekker's wife for Druze's boss. The novel opens with Druze sneaking into Bekker's house to slice Stephanie Bekker and (at Bekker's insistence) to mutilate her eyes—but it turns out that Stephanie has a lover, who sees Druze, then runs away. Who is he? And why the eye mutilation? These questions plague moody, perennially unhappy Davenport as he deals with the case, and with his own demons of depression. Though from the start suspecting Bekker (whose drug-soaked soliloquies, and hidden obsession with observing dying patients' eyes at the moment of death, cast him as an unusually fascinating villain), Davenport can't figure out the mad M.D.'s connection to the second victim, Druze's boss, also found with punched-out eyes. So when the mysterious eyewitness begins feeding anonymous clues about a deformed killer, and then a third victim—an innocent mistakenly identified by Druze as the eyewitness—surfaces, Davenport looks elsewhere. His search brings him to Druze's theater company and to sexy actress Cassie Lasch, who becomes Davenport's lover and (inevitably in Sandford's dark universe) Bekker's final victim—along with Druze, whom Bekker double-crosses. In a brutal finale, a semi-deranged Davenport, throwing his cop-career away, extracts a savage revenge upon Bekker—a revenge that leads to a last-page revelation of the eyewitness's surprising identity. Atmospheric, suspenseful, and gripping from start to finish.

Pub Date: April 4, 1991

ISBN: 0425214435

Page Count: 358

Publisher: Putnam

Review Posted Online: Oct. 4, 2011

Kirkus Reviews Issue: March 15, 1991

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MEAN STREAK

Brown’s novels share several qualities: They’re entertaining, competently written, full of twists and turns, but ultimately...

The perennially best-selling Brown checks in with another “woman-in-peril–hunky-guy-to-the-rescue” romantic thriller.

Emory, a wealthy Atlanta-based pediatrician who runs marathons, is training for an upcoming race in a remote mountainous region of North Carolina. She's left behind her self-centered husband, Jeff, with whom she’s had one of their frequent arguments; that’s fine with Jeff, who plans to spend Emory’s absence with his mistress. But then Emory’s plans go very wrong. She wakes up injured and disoriented in a strange cabin with a tall, gorgeous man who refuses to divulge his identity. The mystery man tells her she had an accident on the trail and he brought her back there to recover. Emory suffered a head wound and is both woozy and mistrustful of the stranger, but after a day or so, when she feels well enough to leave, she discovers the mountain road is covered with ice, socked in with a pea-soup fog and not at all navigable, so she heads back to the cabin without even trying to get home. As Emory falls in love with the tall stranger, her petulant husband comes under scrutiny by two small-town police detectives who believe he might not be telling them everything about his missing wife. Brown throws in some steamy sex, a mysterious mistress and an FBI agent who's searching for the mystery man. Brown knows how to pace her stories so fans will keep turning the pages, but while her prose is clean and efficient, readers searching for characters who rise above the stereotypical will be sorely disappointed in this plot-driven entry.

Brown’s novels share several qualities: They’re entertaining, competently written, full of twists and turns, but ultimately forgettable.

Pub Date: Aug. 19, 2014

ISBN: 978-1-4555-8112-2

Page Count: 304

Publisher: Grand Central Publishing

Review Posted Online: June 28, 2014

Kirkus Reviews Issue: July 15, 2014

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