Next book

THE KGB BAR READER

Short stories and essays, original publications, reprints; and selections from the KGB reading series itself all belly up to the literary bar in this anthology. The KGB Bar, on Manhattan’s East 4th Street, decorated in post-Soviet kitsch to honor the bar’s past life as home for the Ukrainian Communist Party’s US headquarters, has established itself as one of New York’s literary epicenters, including a highly successful public reading series. Editor Foster, after answering a flyer tacked up on a bulletin board at Columbia University, where he received his MFA, organized the series in 1994. In his selections there’s no sign of old fashions in writing, either New Journalism or K-Mart fiction, or in fact any overarching common aesthetic. The essays, though few in number, stand out in sharp relief from the fiction: Lucy Grealy reflects on the intimacy of her tango lessons in “Dancing a Sad Thought”; Elizabeth Gilbert reports on women who chase rodeo cowboys in “Buckle Bunnies”; Meghan Daum mourns for a friend who hardly bothered to live; and Joanna Greenfield remembers being attacked by a hyena while working with wildlife in Kenya (which makes just about anything of Hemingway’s look wimpy). The fiction assembled tends toward the lyrically shocking and features capable offerings from series favorite A. M. Homes, as well as Jennifer Egan, Rick Moody, Kathryn Harrison, Lydia Davis, Luc Sante, and other established writers. One stand-out is Junot Dçaz, whose “Ysrael” is matter-of-factly disturbing in its reckoning with childhood persecution. Of his own selections, Foster complains, “Many people were eliminated [from the book] by their publishers’ inability to allow their work to be republished” (e.g., Elizabeth Wurtzel, who read from Prozac Nation at the inaugural reading). A round from one of New York’s newest literary lions’ dens.

Pub Date: Sept. 9, 1998

ISBN: 0-688-16408-0

Page Count: 288

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview