Once upon a time, retired New York cop Jack Mann (Rough Justice, 1991; A Fine Line, 1989) and IRA fellow-traveler Nora Burns had a chance to help themselves to $3 million of Mafia money. Now the mob- -unimpressed that Nora's used the money to run an orphanage for victims of Irish violence—comes after the money, setting off a deadly game of chases and betrayals. Using his sick old partner Moe Berger to flush Jack out of Ireland, mob cops Vinnie Manero and Rocco Valone plan to kidnap Nora's son Seamus to force her to give up the loot. But Jack chases back just in time to barge in on the kidnapping, turning it into a murder that leaves Nora coldly bent on avenging Seamus by using her brother Michael, an IRA assassin hiding in New York, to get at Don Daniello Iennello, the capo who's after the money. Michael, meanwhile, has ideas of his own: He's using Don Daniello's help in his plan to kill everybody at the Academy Awards banquet at the Waldorf. So as the mob and the Garda—the two crooked Manhattan cops joined by Inspector Timothy McCormick and Officer Mattie Nolan, two visiting Irish cops, for a total of four rogue officers all out to get each other—bear down on Nora, she's hounding Michael to help her get a clear shot at the big guy, and wondering whether Michael isn't out to get her as well. The only flaw in this intricate weave of counterplots is that top plotting honors go to stolid Jack and his invincibly cute weather- forecaster lover Bonnie Hudson (``Hey, it's only weather''), who improbably manage to foil all the plotters who haven't killed each other off before the climax. First-rate melodrama, with just enough resonance to make you see how far out past their depth Jack and Bonnie are.
Pub Date: June 1, 1992
ISBN: 0-312-85304-1
Page Count: 288
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1992
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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