by Ken Kalfus ‧ RELEASE DATE: May 12, 2015
A mixed bag: not as satisfying as Kalfus’ recent novels, though technically accomplished and often with great insight into...
A gathering of new stories by Kalfus (Equilateral, 2013, etc.), drawing on his long-established interests in history, science, and at least a few of the seven mortal sins.
A self-satisfied French financier “in the service of the public” luxuriates in the oversized bathroom of an oversized deluxe hotel in New York, reflecting on a pattern of sexual behavior that has landed him in the newspapers and in court—and on the legal and political radar of his home country as well, since “Sarkozy is another Nixon” keen to put evidence about his enemies, however gathered, to bad use. If the reader connects with a certain legal case much in the news of late involving a French financial wizard and an African hotel housekeeper, then it’s certainly no accident; the value Kalfus adds, so to speak, often involves illuminating certain prurient details (“With her eyes closed and her skirt pulled up, she was intently fingering herself”) while examining the psychology of a man who blends an unhealthy dose of paranoia with a host of very real enemies. Whether those enemies are deserved or not is for the reader to judge, but Kalfus’ titular novella, detached and sometimes stilted, won’t do much to engage his or her moral compass, well-written though it is. The shorter stories tend to be less fraught than all that; one is a seemingly tossed-off vignette about a spell in the hygienist’s chair (“Given the long, bloody history of my gingivitis, I go in for a periodontal cleaning every three months”), another an obligatory homage to Borges, still others less obvious nods to Borges, some quite effective, as when Kalfus imagines the possibilities of resurrecting a language “that is not spoken by more than one other living person.” In one of the best pieces, human law meets quantum physics; in one of the least successful, a would-be writer laments how hard it is to be a would-be writer.
A mixed bag: not as satisfying as Kalfus’ recent novels, though technically accomplished and often with great insight into the curious ways of people.Pub Date: May 12, 2015
ISBN: 978-1-62040-085-2
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
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by Rattawut Lapcharoensap ‧ RELEASE DATE: Jan. 1, 2005
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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by Russell Banks ‧ RELEASE DATE: Nov. 12, 2013
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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