A taut, uncomfortable look at a man forced into a reckoning that’s much more personal than he’d like.
An edgy, discomfiting look at the alpha males of journalism in the age of #MeToo.
Adam Zweig is a successful political writer in Washington, the veteran of a thousand think pieces. He’s in his late 50s, divorced, a man of regular habits. So, when he’s messaged by a young reporter on the trail of a D.C. mediasphere sexual-harassment scandal, the alarm bells tripped aren’t the loud and blaring kind. Mainly, he feels sorrow—the accused is Max Lieberthol, years ago Adam’s editor and mentor at a magazine that resembles the New Republic. Adam, a good progressive, initially hits a morally tutting tone (how could Max have been foolish and vain enough to proposition a staffer?), but there’s sympathy underneath. He’s disappointed, but he wonders: A story like this, about an offense two decades old, committed in a kind of prelapsarian boys-will-be-boys era by an aging lion whose magazine has always had a big reputation, but (after all) a small readership—even in the age of social media, what legs can such a story have? Then—and Kalfus masterfully persuades us that the withholding is not reader-deception but self-deception—Adam begins to recall and recount the context. The accuser, Valerie Iovine, was his closest friend in the office, and Adam was present, outside Max’s office, when the incident occurred; Valerie told Adam about it immediately afterward, and he helped to console her. Adam feels duty-bound to confirm that Valerie is telling the truth, and this—he wants us and himself and most of all Valerie to believe—is an act of characteristic rectitude. The book’s steadily mounting tension derives from what comes next, as circumstance and Valerie herself require him to excavate more thoroughly his relationship with her, a friendship that grew into a professional intimacy and that then (in Adam’s way of seeing it) turned briefly romantic soon before—this having nothing to do with him!—Valerie withdrew from Washington and disappeared into the exile of small-city journalism.
A taut, uncomfortable look at a man forced into a reckoning that’s much more personal than he’d like.Pub Date: April 1, 2025
ISBN: 9781571315755
Page Count: 208
Publisher: Milkweed
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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