by Ken Skoby ‧ RELEASE DATE: Jan. 8, 2020
A sweet, if unremarkable, book that offers a broad mix of poetic forms.
Skoby follows up his book I Have Nothing To Say, but I'm Going To Say It Anyway (2018) with a collection that largely revisit the same concepts.
In this loosely connected assortment of reflections, meditations, and advice, mostly in poetic form, the author attempts to wax philosophical on various well-worn themes, including nature, aging, the passage of time, friendship, and gratitude. His sentiments are admirable, but his execution too often lacks finesse. Skoby’s style leans heavily on rhyming couplets, occasionally to the detriment of meter or flow, although the author doesn’t stick to specific structures. The vocabulary tends toward the simplistic, with several instances of the same rhyme in several pieces; the combination of “trees” and “breeze,” for instance, shows up in no less than eight poems. Rhymes can sometimes feel clumsy or forced: “Into the water, the lake comes alive, / ducks and loons, freestyle their jive.” His pieces on specific events in his life feel more polished and emotionally resonant, such as “Vision Rising,” dedicated to his brother Nicholas; or a sweet reflection on adopting a pair of orphaned raccoons. The collection also contains several free-verse poems as well as entire sections dedicated to found poetry, haiku, and “Interactive” poems that encourage readers to construct their own found verse, and a short story about the author’s near admittance to the U.S. Olympic bobsled team. The haiku chapter showcases some of Skoby’s strongest imagery, although it seems to ultimately disregard the form’s artistic purpose. A “Thoughts” section offers pithy statements, one-liners, or aphorisms around a central theme, which can be humorous and engaging but also veer into cliché. The resulting whole, punctuated by lovely black-and-white imagesby returning illustrator Tkachuk, feels overlong, but it’s clearly a labor of love. Skoby’s style and thematic choices may not resonate with everyone, but there’s artistic value in writing for the sheer joy of doing so.
A sweet, if unremarkable, book that offers a broad mix of poetic forms.Pub Date: Jan. 8, 2020
ISBN: 978-1-5320-9101-8
Page Count: 226
Publisher: iUniverse
Review Posted Online: June 5, 2020
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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