by Ken Wheaton ‧ RELEASE DATE: N/A
An often witty whodunit with heartfelt characters.
Awards & Accolades
Our Verdict
GET IT
A Brooklyn editor finds himself immersed in the lives of reality TV stars in this comic thriller.
Tony Battaglia makes his living editing reality TV shows. But his best friend and co-worker, Murph, scores him a gig in Louisiana. This time, it’s in front of the cameras for Gator Guys, a series whose star, “Lonnie Junior” Lalonde, was recently in a fatal accident. The editor has just undergone a much-needed heart transplant and, Murph informs him, Lonnie Junior’s heart is now in Tony. In Louisiana, Tony introduces himself as the show’s new leading guy to Lonnie Junior’s family; his girlfriend, Chelsea Granger; and his friend and co-star Mitch “Fudgeround” Arcenaux. And though Tony’s new heart is meant to stay secret until later, he feels obligated to tell each one about it. But there’s even more shocking news: Upon reviewing footage from the morning of Lonnie Junior’s death, Tony sees an unknown figure and consequently suspects murder. Early evidence suggests the killer is Travis Richardson, who stars in a rival show, Mallard Men, with his devoutly religious family. He certainly has a motive, as his girlfriend, Brit Borders, had once been Lonnie Junior’s lover. But Tony and Fudgeround seem convinced that the murderer is someone else and keep close eyes on the Richardsons as well as Brit. Meanwhile, the killer is trying to avoid detection, which may entail pinning the homicide on another person—and committing an additional murder or two in the process.
Wheaton’s tale frequently relies on humor. Tony, for example, gets a lesson from Lonnie Senior on boating in the swamp, as he knows nothing about hunting gators. Tony’s paranoia, which leads him to believe Lonnie Senior has plans to kill him and dump his body in the swamp, is quite funny, especially once the protagonist is on the verge of hyperventilating. There are nevertheless sincere moments that create likable characters. Tony is respectful with Lonnie Junior’s friends and family since he’s worried how they’ll react to hearing about the transplant. He also bonds with Lonnie Senior, Chelsea, and Fudgeround in various ways. Even Lonnie Senior’s dog, Cocoa, warms up to Tony. Other characters are despicable, though this does make it harder to pinpoint the culprit. While the killer’s identity is more or less revealed well before the end, it’s still a treat to watch Tony and Fudgeround investigate, as they’re tenacious despite their apparent lack of experience as sleuths. Comedy again plays a part, namely an argument between the two and Chelsea, who sees no reason to dismiss the evidence against Travis, that’s vigorous and entertaining. The author writes in a no-nonsense style which is typically droll, such as the revelation that someone smells “like gym socks and body odor.” But these blunt descriptions also ignite the senses: “It wasn’t the suffocating heat and humidity Tony’d experienced when he first arrived in Louisiana, but a different breed of damp. Louisiana needed a taxonomy of wet like Eskimos had for snow.”
An often witty whodunit with heartfelt characters.Pub Date: N/A
ISBN: N/A
Page Count: 221
Publisher: Manuscript
Review Posted Online: July 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
Review Program: Kirkus Indie
Share your opinion of this book
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Awards & Accolades
Likes
154
Our Verdict
GET IT
New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
Share your opinion of this book
More by Kathryn Stockett
BOOK REVIEW
by Freida McFadden ‧ RELEASE DATE: May 26, 2026
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
Share your opinion of this book
More by Freida McFadden
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
More About This Book
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.