An early-20th-century example of haunting speculative fiction, ready for a new generation of young Anglophone audiences.
Miyazawa’s nearly-century old Japanese classic about a mysterious train ride reappears in a new translation.
Young Giovanni is struggling at home and school. His only friend is Campanella; the other students regularly bully him. His absent father is possibly fishing “up north” or perhaps in prison. Giovanni works after school at a print shop to pay for the family’s groceries. When his bedridden mother reveals that the milk wasn’t delivered today, Giovanni rushes to the dairy to retrieve it. His mother encourages him to stop by the Milky Way Festival on his way, but teasing from classmates he encounters ruins his good time. Running away into the dark hills, he’s magically picked up by the Galactic Interchange—and discovers Campanella already onboard. They meet fellow passengers on their way to mystical destinations—including Heaven. Miyazawa (1896-1933), one of Japan’s most beloved children’s writers, transforms these encounters into parables underscoring loss, kindness, and self-sacrifice. Unusual in Miyazawa’s nuanced narrative are the use of Esperanto, references to Lancashire and Connecticut, “an Indian” in the Colorado Plateau, and the unnamed yet recognizable Titanic tragedy. Originally published posthumously in 1934, Night has already seen four previous English translations; this latest, translated by Japanese-to-English powerhouses Yoneda and Boyd, originates in a 2014 Japanese edition prominently featuring striking, noir-esque woodcut illustrations by award-winning artist/writer Tsukasa. Characters’ ethnicities aren’t made explicit, though names imply Italian heritage.
An early-20th-century example of haunting speculative fiction, ready for a new generation of young Anglophone audiences. (translators’ note) (Fiction. 8-14)Pub Date: Sept. 15, 2026
ISBN: 9781962770309
Page Count: 186
Publisher: Elsewhere Editions
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
An entertaining take on family values, Wimpy Kid style.
A summer vacation turns out to be anything but relaxing for Greg and a teeming horde of Heffleys.
Gramma declines the offer of a grand birthday celebration, saying that “what would make her REALLY happy is if everyone else went to Ruttyneck Island”—though she prepares individual packs of her legendary meatballs. (“You knew exactly how much Gramma likes you by how many meatballs you got.”) A gaggle of Heffley relatives and a dog stuff themselves into a small beach house, where overcrowding, personality conflicts, and simmering resentments become just some of the ingredients in a rolling boil of sitcom-style catastrophes, not to mention questionable decisions ranging from leaving the kids to make dinner unsupervised to labeling a cooler “HUMAN ORGANS” to keep random passersby from helping themselves. As usual, Greg supplies the setups in poker-faced journal entries interspersed with black-and-white drawings of slouched figures bearing frowny expressions of dismay or annoyance to cue the laffs. Gramma, it eventually turns out, not only (unsurprisingly) has plans of her own, but is also keeping a shocking secret about those meatballs. To go with the knee-slapping set pieces, Kinney slips in a tasty bit of family lore about how Greg’s parents met, plus droll takes on such low-hanging comedy fruit as restaurant manners, viciously competitive board games, and social media influencers (Greg being one, albeit with zero followers, and his Aunt Veronica’s little dog being another, with 3.8 million).
An entertaining take on family values, Wimpy Kid style. (Graphic/fiction hybrid. 8-12)Pub Date: Oct. 22, 2024
ISBN: 9781419766954
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Oct. 22, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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