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DARK HORSE

THE SURPRISE ELECTION AND POLITICAL MURDER OF PRESIDENT JAMES A. GARFIELD

A welcome glimpse into the little-known time between the Civil War and the Gilded Age.

A behind-the-curtains glimpse at an often overlooked presidency, and at the cabals and conspiracies that brought it to an end.

John Garfield was something of an accidental president, a dark horse brought onto the national scene in the wake of the many scandals that rocked the administration of Ulysses S. Grant. Washington insider Ackerman, who has held various civil-service posts over the last three decades, has an evident appreciation for the Ohio Republican, who wasn’t exactly unwilling to see his hat tossed into the ring but hadn’t exactly gone out of his way to court high office, either. Garfield would have done better to stay on the farm, to judge by Ackerman’s engaging account of events, for Garfield found himself caught in the middle of a longtime feud between party bosses Roscoe Conkling and James G. Blaine, who hated each other with a fine passion and had been fighting for control of the Capitol for years. Garfield developed a platform of compromise that might surprise a few GOP loyalists today—including a staunch repudiation of “the pernicious doctrine of State supremacy”; support for federal funding for universal, secular education; and opposition to free trade and “doubtful financial experiments” such as federal intervention in the market. Still, for all his efforts at reconciliation, when Garfield was finally elected—and much of Ackerman’s account deals with his tortuous path to the White House—he had to maneuver his way between Conkling and Blaine, pleasing neither with his choice of lieutenants and initiatives. Enter Charles Guiteau, the assassin who gunned Garfield down in 1881; though often described as a disappointed office-seeker and lunatic, he pulled the trigger as a committed “stalwart” who wanted to see Garfield out of office and Garfield’s vice president Chester Arthur in—as did Conkling, who allegedly endorsed the murder. Did Guiteau act alone? Ackerman has some ideas about that, and about the condition of national politics 12 decades ago.

A welcome glimpse into the little-known time between the Civil War and the Gilded Age.

Pub Date: July 1, 2003

ISBN: 0-7867-1151-5

Page Count: 560

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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