Despite featuring an outsider who’s a bit too removed, this book delivers a fast-paced, energetic tale resonating with...
In this novel, a new international student at a commuter college in Ohio ignites questions of racism, nationalism, and history for a small town.
Fresh from the Paris suburbs, Azza Amari arrives at Northwestern Ohio State College wearing a hijab and holding a bag containing $97,872. “It is my out-of-state tuition, yes?” she responds to the registrar’s shock. The Tunisian-born refugee has already bought into a vision of the classic American college experience. But instead of offering a dorm, programs, and mixers, the small commuter college in Fremont struggles to accommodate her—eventually renting a cheap motel room and having the assistant registrar’s teenage son, Kip Beckelhymer, drive her around in his blue hatchback. Azza becomes intrigued by Kip’s love of history, in particular his obsession with a missing artifact from the local museum: a 19th-century plaster of Paris European pear. Azza agrees to help him and his friend Ryan Langham on their treasure hunts if the boys teach her how to drive. As the unlikely friendship develops, Azza learns more about Kip’s failed romance while the boys have their eyes opened to Islam and the world outside Fremont. Meanwhile, others in the town begin to close ranks, and dangerous clouds of racism and nationalism settle over the campus. Womack (Playing the Angel, 2013) has created a fun, fish-out-of-water tale with heavy implications about today’s world. He has carefully drawn, realistic small-town figures—thanks to sharp dialogue from Kip and Ry especially—to show how quickly open minds can close, building to an emotional and incensing conclusion. Azza’s overly polite, quizzical nature provides plenty of bright, comedic moments, but her characterization overall is perplexing. Her utter naiveté about bank accounts and universities seems to reinforce stereotypes rather than undo them. It would make more sense for Azza to be from a tiny, isolated village rather than the mean streets of a global, Western city—and the whole story would greatly benefit from its central figure being worldlier.
Despite featuring an outsider who’s a bit too removed, this book delivers a fast-paced, energetic tale resonating with today’s most troubling and important issues.Pub Date: May 9, 2019
ISBN: 978-1-68433-264-9
Page Count: 254
Publisher: Black Rose Writing
Review Posted Online: March 21, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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