Despite featuring an outsider who’s a bit too removed, this book delivers a fast-paced, energetic tale resonating with...
In this novel, a new international student at a commuter college in Ohio ignites questions of racism, nationalism, and history for a small town.
Fresh from the Paris suburbs, Azza Amari arrives at Northwestern Ohio State College wearing a hijab and holding a bag containing $97,872. “It is my out-of-state tuition, yes?” she responds to the registrar’s shock. The Tunisian-born refugee has already bought into a vision of the classic American college experience. But instead of offering a dorm, programs, and mixers, the small commuter college in Fremont struggles to accommodate her—eventually renting a cheap motel room and having the assistant registrar’s teenage son, Kip Beckelhymer, drive her around in his blue hatchback. Azza becomes intrigued by Kip’s love of history, in particular his obsession with a missing artifact from the local museum: a 19th-century plaster of Paris European pear. Azza agrees to help him and his friend Ryan Langham on their treasure hunts if the boys teach her how to drive. As the unlikely friendship develops, Azza learns more about Kip’s failed romance while the boys have their eyes opened to Islam and the world outside Fremont. Meanwhile, others in the town begin to close ranks, and dangerous clouds of racism and nationalism settle over the campus. Womack (Playing the Angel, 2013) has created a fun, fish-out-of-water tale with heavy implications about today’s world. He has carefully drawn, realistic small-town figures—thanks to sharp dialogue from Kip and Ry especially—to show how quickly open minds can close, building to an emotional and incensing conclusion. Azza’s overly polite, quizzical nature provides plenty of bright, comedic moments, but her characterization overall is perplexing. Her utter naiveté about bank accounts and universities seems to reinforce stereotypes rather than undo them. It would make more sense for Azza to be from a tiny, isolated village rather than the mean streets of a global, Western city—and the whole story would greatly benefit from its central figure being worldlier.
Despite featuring an outsider who’s a bit too removed, this book delivers a fast-paced, energetic tale resonating with today’s most troubling and important issues.Pub Date: May 9, 2019
ISBN: 978-1-68433-264-9
Page Count: 254
Publisher: Black Rose Writing
Review Posted Online: March 21, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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