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IN THE PROVINCE OF THE GODS

This slim, readable memoir, while occasionally overly inward-facing, answers that question as one project morphs into...

The memoir of a writer who traveled to Japan and found a new perspective on himself.

Poet and memoirist Fries (Creative Writing/Goddard Coll.; The History of My Shoes and the Evolution of Darwin's Theory, 2007, etc.) was on the verge of a traumatic romantic split when he first traveled to Japan to research a book about the country’s approach to disability. His partner had urged him to pursue the grant, but after their separation, he was alone in a foreign country, where his lifelong disability that hinders his mobility would add to the challenge. He even has trouble removing his shoes, which Japanese decorum demands. Fries documents how he came to terms with the country—as a foreigner, as a disabled person, and as a gay man. Less than halfway through the narrative, he has made friends, found romantic interests, and made himself at home. “Why am I so comfortable here?” he asks. “Why does Tokyo seem, in so many ways, after such a short time, home?” Throughout the book, the author asks himself frequent questions; when his grant expired and he had to return to the U.S., he had a new, more disturbing set of them. He had fallen ill, received a diagnosis that suggested HIV, and was beginning to see his life in a whole new light. “I am filled with questions,” he writes. “What survives? Who survives? How long will I survive?” Fries eventually returned to Japan on a new grant, found a healer and a lover, and continued his research, but he also discovered that his focus had shifted. “The book about disability in Japan is the book I came to write,” he writes. “Now, with all that has changed, it seems that there is another, more urgent book to write, a book where I am more subject than researcher. Is there a connection between the two?”

This slim, readable memoir, while occasionally overly inward-facing, answers that question as one project morphs into another.

Pub Date: Sept. 19, 2017

ISBN: 978-0-299-31420-0

Page Count: 216

Publisher: Univ. of Wisconsin

Review Posted Online: July 2, 2017

Kirkus Reviews Issue: July 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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