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FEARLESS

Real and empathetic.

Fandom and friendship collide when middle school BFFs are tested.

In this middle-grade graphic stand-alone, Kara Dawson absolutely loves the TV show Shinpi Rider, about a masked cyclist who always perseveres to save the day. Kara’s life is pretty great, basking in Shinpi fandom with her best friend, Alice, and trusty ferret, Gidget. When Alice’s family suddenly moves two towns over, Kara’s world is thrown into upheaval. She decides to skip her first day of school to ride her bike to Alice’s new house and surprise her. Predictably, her journey does not go as expected, but she meets new friends along the way: Joe, a boy struggling to lift a heavy burden; Elaine, whose bike has been stolen by a bully; and Simon, whose older brother is tormenting him. When Kara finally makes it to Alice’s new home, she finds her friend changed. The girls have a falling-out; is their friendship over? Kara’s subsequent self-realization, though clearly spelled out, is approachable and made with a light hand. Kara is flawed and engaging, capturing the adolescent dichotomy of both fearlessness (in her altruism with strangers) and thoughtlessness (with those she cares about). Wilcox’s full-color illustrations emphasize characters’ faces and emotions. Shelve this among Shannon Hale and LeUyen Pham’s Best Friends series or Hope Larson’s All Summer Long (2018). Kara and Alice are White; supporting cast members are diverse.

Real and empathetic. (Graphic fiction. 8-11)

Pub Date: May 4, 2021

ISBN: 978-1-338-35588-8

Page Count: 192

Publisher: Graphix/Scholastic

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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THE LEMONADE WAR GRAPHIC NOVEL

A classic sibling rivalry tale that still satisfies to the last drop.

In this graphic novel adaptation of Davies’ 2007 book, hurt feelings propel an intense business battle.

Fourth grader Evan can’t stand the thought of his brainy younger sister, Jessie, skipping a grade and joining his class this fall. Intelligent but emotionally immature, Jessie sometimes misses social cues and wishes she could be more like the gregarious Evan. These insecurities set the stage for a contest to see who can raise the most money selling lemonade this summer. Will Jessie’s book smarts beat Evan’s people skills? The beauty of this story lies in how each sibling’s strengths rub off on the other: Evan brushes up on his math, while Jessie tentatively makes a new friend. De la Vega’s polished cartoon artwork creatively translates Davies’ metaphors to a visual medium. When the author compares the “mean words inside Evan…fighting to get out” to bats, illustrations depict the furry animals emerging from beneath his shirt; Jessie’s negative thoughts take the form of a tiny purple creature irritatingly tapping her shoulder. Tender scenes depict flashbacks of the siblings supporting each other through their parents’ divorce. The book has business savvy to match the emotional beats (each chapter opens with an entrepreneurial definition that relates to the plot), and several scenes feature math problems that readers can solve for themselves. Evan and Jessie appear white; both have friends of color.

A classic sibling rivalry tale that still satisfies to the last drop. (business tips) (Graphic fiction. 8-10)

Pub Date: April 29, 2025

ISBN: 9780063310407

Page Count: 208

Publisher: Clarion/HarperCollins

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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