While purposive, a useful and even beautiful book to offer the many children whose families are affected.

READ REVIEW

WHY CAN'T GRANDMA REMEMBER MY NAME?

In question-and-answer format, a bibliotherapeutic introduction to Alzheimer’s for young children.

Published by an Alzheimer’s research institute (for which this is also a fundraiser), this book has a clear purpose but is constrained by it; the authors do not discuss other types of dementia, for instance. Following an opening scenario in which a child’s voice describes Grandma’s newly strange behavior, the questions and answers take readers through the basics about the disease. Some of the questions feel very genuine (“Grandma sometimes gets angry.…What’s going on?”) while others (“How does the brain normally work?”) seem constructed to deliver the information the authors feel is necessary. The information presented is by and large accessible to children, but a decision not to explain what “plaques and tangles” are but rather describe what they do may prompt questions that will force readers to consult another resource, as there is no glossary. The most striking feature of this book is the artwork. Each question and answer is given one double-page spread, with a painting by a child accompanying the question and an artfully harmonizing painting by an Alzheimer’s patient accompanying the answer.

While purposive, a useful and even beautiful book to offer the many children whose families are affected. (Picture book. 4-10)

Pub Date: Nov. 1, 2016

ISBN: 978-1483572857

Page Count: 32

Publisher: Fisher Center for Alzheimer's Research Foundation

Review Posted Online: Sept. 19, 2016

Kirkus Reviews Issue: Oct. 15, 2016

Did you like this book?

No Comments Yet

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

Did you like this book?

No Comments Yet

Lê’s compelling storyline is propelled forward by Santat’s illustrations, each capturing both the universal longing to...

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2018

  • Asian/Pacific American Award for Literature Winner

DRAWN TOGETHER

The power of art takes center stage in this cleverly titled story of a Thai-speaking grandfather connecting to his assimilated American grandson.

The title page introduces readers to a sullen-faced Asian boy as he walks up to a door and rings the bell. After a traditional bow of greeting, the grandfather, dressed like Mr. Rogers in a white shirt and red sweater, wordlessly welcomes the grandson inside. In paneled artwork, the two unsuccessfully attempt conversation over dinner, with the grandfather speaking in Thai script and the boy speaking in English. Sitting in the uncomfortable silence that cultural divides create, the awkward boy finally walks away to doodle on paper. He draws a wizard with a wand and a conical red hat. Grandpa, recognizing this creative outlet, fetches a sketchbook and, surprisingly, draws his version of a wizard: a tightly detailed warrior clothed in traditional Thai ceremonial dress. The young boy is amazed, marveling that “we see each other for the first time.” The two begin a battle of imagination, wands and paintbrushes thrashing like swords. One draws in energetic colorful cartoons, the other with fierce black-and-white, precisely brushed drawings. Santat elevates their newfound shared passion into energetic, layered, and complex designs, separate and entwined at the same time. They clash with the dragon that divides them and build a new world together “that even words can’t describe.”

Lê’s compelling storyline is propelled forward by Santat’s illustrations, each capturing both the universal longing to connect and the joy of sharing the creative process. (Picture book. 4-8)

Pub Date: June 5, 2018

ISBN: 978-1-4847-6760-3

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: April 16, 2018

Kirkus Reviews Issue: May 1, 2018

Did you like this book?

No Comments Yet
more