Kogito, ergo sum. He thinks and remembers and imagines. Therefore, he is.
Once again introspection and autobiography are transmuted into compelling fiction in the latest from Japan’s 1994 Nobel laureate (Somersault, 2003, etc.).
Protagonist Kogito Choko is a bookish, self-effacing veteran novelist whose oeuvre had frequently influenced, and been influenced by, the accomplishments of his brother-in-law and best friend Goro Hanawa, a celebrated filmmaker. Shortly after Kogito learns that Goro has killed himself by jumping from a rooftop, he receives a number of audiocassettes bearing the message that Goro would cross to “the Other Side” but maintain contact with their recipient. As Kogito listens obsessively, his imagination revisits shared experiences and intellectual passions, including the two men’s boyhood experiences, the self-obsessed poetry of Rimbaud and the fiction of Kafka, the abortive wartime experiences of Kogito’s late father, violent abusive attacks perpetrated by hired yakuza thugs, and evidence of the filmmaker’s affectionate condescension toward the resolutely unglamorous author. This very discursive novel’s strengths and weaknesses reside together in the gradual revelation of Goro as Kogito’s soulmate, idol, muse, taskmaster—and doppelgänger (as we’re told directly when Kogito realizes that “all the scenes Goro had incorporated into…[his screenplays] were things he had actually experienced or observed”). The narrative contains numerous aslant allusions to Oe’s own fiction and critical reputation, and to his biography in a moving portrayal of Kogito’s long marriage to his devoted wife Chikashi, and yet another portrait (in the figure of their son Akari) of Oe’s immensely musically gifted son Hikari. This demanding, fascinating anatomy of the development of a writer’s sensibility asks much of the reader but offers several truly affecting sequences—even in an arguably unneeded “Epilogue” focused on Chikashi, which re-emphasizes the past’s grip on the present, and climaxes with a luminous benediction linked to another literary touchstone: a famous play written by African Nobel Prize–winning author Wole Soyinka.
Kogito, ergo sum. He thinks and remembers and imagines. Therefore, he is.Pub Date: March 1, 2010
ISBN: 978-0-8021-1936-0
Page Count: 336
Publisher: Grove
Review Posted Online: April 8, 2011
Kirkus Reviews Issue: April 15, 2010
IN THE NEWS
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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