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CIBOLERO

Well-written historical fiction stuffed with action and adventure.

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In Lopez’s novel, a father’s search for his abducted daughter toggles back to his own past and the larger picture of the exploitation of New Mexico in the mid-19th century.

Antonio Jose Baca wishes only to raise his family in peace on his ranchito near the Pecos River in New Mexico. A ragtag detachment of Texas Rangers shows up, hungry and lost, and in the space of an hour, they have roughed up his wife, shot their young son (he survives), kidnapped their daughter, Elena, and high-tailed it back to Texas. Antonio, of course, sets out after them. He does have an advantage. In his youth, he was a cibolero, a buffalo hunter, on those forbidding plains still called the Llano Estacado. He is an expert tracker, and his blood is up. In a series of flashbacks, we learn the geography of the area and its history that goes back centuries. We learn how the Civil War would affect things and how the rise of Texas threatened the nuevomexicanos from the beginning (“So far from God…and so close to Texas”). After 1848, the U.S. claims New Mexico, and immigrants—gringos—come pouring in. Suddenly, the nuevomexicanos and Indigenous people are second-class citizens and displaced on their own land, and the arrogant gringo soldiers are deservedly hated. Revolts are mounted but inevitably and brutally put down. We follow Antonio until the end of his quest.

Lopez is an authority on New Mexican history and topography, and his novel rings true throughout. He is also a very talented writer with nary a false step (“To the Tejanos the llano is a useless desert, Antonio thought. To the Indians and Ciboleros, it is a world filled with life”). Antonio is well drawn, and Lopez is even better with his villains. Those Texas Rangers differ from an outlaw gang only because their leader, Capt. Travis Russell, has a conscience. The others range from simpletons to the truly psychopathic, especially one J.D. Calhoun, scion of Texas money. Again one thinks of arrogance, a defining and infuriating trait of these interlopers—the Texas gang, Gen. Stephen Kearny who rubbed the nuevomexicanos’ noses in the American takeover, the drunken, murderous troopers, the condescension of Kit Carson and Charles Bent. (One can’t help but cheer when Bent’s head is paraded around Taos on a pikestaff.) Especially satisfying is the way the Ranger contingent is thoroughly spooked when two of the young troopers run into serious trouble. They assume the feared Comanche are to blame. Antonio is the relentless avenger, particularly deadly, and one feels the noose tightening. There are all sorts of side stories here, too, each a little nugget, and small episodes, like the murder of Nathan, a Black man, and Antonio’s efforts to rescue his orphaned children. And keep your eye on Josiah Smith, “the preacher.” There are nasty surprises and, oddly, some sweet interludes.

Well-written historical fiction stuffed with action and adventure.

Pub Date: Aug. 3, 2007

ISBN: 978-0-59-543567-8

Page Count: 182

Publisher: iUniverse

Review Posted Online: Aug. 24, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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DEAD BEAT

From the Ninth House series , Vol. 3

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

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A dark fantasy set on the Yale campus ends with a bang.

Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

Pub Date: Sept. 15, 2026

ISBN: 9781250884312

Page Count: 496

Publisher: Flatiron Books

Review Posted Online: Sept. 15, 2026

Kirkus Reviews Issue: Nov. 1, 2026

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HOLLOW BONES

The queen of social activist novels has done it again. Impressive, important, and fun to read.

The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.

“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in Septem­ber, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fif­teen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.

The queen of social activist novels has done it again. Impressive, important, and fun to read.

Pub Date: Sept. 15, 2026

ISBN: 9780593726259

Page Count: 464

Publisher: Ballantine

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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