A nice addition to sibling shelves that shows that fun can also be had apart.

SNOW SISTERS!

Two sisters who could not be more unalike in personality enjoy a snowy day in different ways.

Except for the final page, Kokias’ clever text reads the same backward and forward, following the two white girls through their day. The redheaded sister is thrilled with the snow outside and rushes to put on outdoor gear. Meanwhile, the brunette settles in to read with hot cocoa and a blanket. While the redhead throws snowballs and tracks animals, her sister bakes, makes paper snowflakes, and engages in pretend play. But then: “Cold. Wet. Brrr.” The two sisters cross paths in the center of the book as they switch places and activities, and with the redhead inside, an obvious difference between the two becomes even clearer: the brunette is neat, the redhead messy. The focus remains on the sisters and their fun, though their redheaded father and brunette mother do appear in the baking scenes in the kitchen. The softly colored gouache-and-watercolor illustrations are chock-full of ideas for fun on a snowy day, whether inside or outside. The final page shows the two at last enjoying time together as “Snow sisters!” The girls’ expressions are a bit one-note, and children may find it easier to identify with the exuberant redhead than the nearly flawless brunette.

A nice addition to sibling shelves that shows that fun can also be had apart. (Picture book. 3-7)

Pub Date: Jan. 2, 2018

ISBN: 978-1-101-93883-6

Page Count: 32

Publisher: Knopf

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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A comical, fresh look at crayons and color

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THE DAY THE CRAYONS QUIT

Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.

Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.

A comical, fresh look at crayons and color . (Picture book. 3-7)

Pub Date: June 27, 2013

ISBN: 978-0-399-25537-3

Page Count: 40

Publisher: Philomel

Review Posted Online: April 15, 2013

Kirkus Reviews Issue: May 1, 2013

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