by Kerry Brown & Chris Kelly ‧ RELEASE DATE: Jan. 14, 2011
Brown and Kelly create a richly detailed world, but need to more seamlessly marry facts with story.
Brown, with assistance from researcher and co-author Kelly, debuts with this historical novel of piracy and Colonial America.
Young Maria Hallett, having lost both her parents, works as a governess to her aunt’s children in early 18th-century Cape Cod. Her friend Isaac Doane is employed at the novel’s namesake tavern, and although he is enamored of Ms. Hallett, his shyness prevents him from becoming her suitor. But that’s not the case for historical pirate “Black Sam” Bellamy, who strides ashore, swiftly sweeps Maria off her feet and leaves her with child while he goes plundering in the West Indies for several months. By the time he returns to the coast of Massachusetts, circumstances have changed for the worse, as the child has passed away and Maria is being held criminally accountable. Although the real Bellamy died in a storm before reaching land, Brown and Kelly imagine what would have happened had he lived and found his way back into Maria’s life. The book’s often gorgeous descriptions and impressive vocabulary help bring the world of Colonial New England to life, through its flora, fauna, geography and people. The characters populating Brown and Kelly’s world, both fictional and fictionalized, are imbued with great depth. The authors’ zeal to bring so much of their vast research to the page, however, creates problems for the narrative, as the story is consistently interrupted by italicized sections of commentary, some of which reads like informational footnotes and all of which is distracting if not beside the point. And while scene-setting is essential to a book such as this, too often the plot is forced to sit still for it, and too much of the action—including most of the actual pirating—takes place off the page.
Brown and Kelly create a richly detailed world, but need to more seamlessly marry facts with story.Pub Date: Jan. 14, 2011
ISBN: 978-1452082097
Page Count: 272
Publisher: AuthorHouse
Review Posted Online: March 4, 2011
Review Program: Kirkus Indie
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by Kerry Brown
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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