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LOOSE GIRL

A MEMOIR OF PROMISCUITY

An important look at the dynamics of female sexual power and promiscuity in general.

The author probes her troubling relationship to sex.

As a teen, Cohen, who wrote the young-adult novel Easy (2006), indiscriminately sought the sexual attention of men and boys her age in a desperate attempt to make up for the love her parents denied her. Figuring she slept with close to 40 partners before realizing “doing so was not serving [her] well,” the author recounts in spare, incisive prose the many unfulfilling sexual exploits she enacted in a vain attempt to secure “proof of being loved.” Looking back on those moments, her bald account brings to the fore the double standard between the sexes when it comes to promiscuity. “For a man this might be a pleasant trip down memory lane, counting up his conquests,” she writes. “But for a girl, it’s a whole other story. I had let these men inside me, wanting that to make me matter to them. Wanting it to make me matter.” Cohen’s training as a psychotherapist is clearly evident. She reveals an impressive analytic prowess as she exposes the damaging self-effacement that underlies the seeming assertion involved in attracting men to her and then driving them away. Though by the memoir’s end she’s changed course and entered into a long-term relationship that meets her needs, Cohen admits: “I’ve learned at this point there’s no shot I can receive, no pill I can take, no therapy I can be a part of that will give me the resolve to do the things I need to do to be loved. It’s a choice. A simple choice. I say I want intimacy. I say I want to be loved. But really, I’m petrified. The straight truth is, I don’t know if I have it in me, and I’m scared to find out that I can’t.” Cohen’s ultimate ownership of her issues leaves as much of an impression as her openness in putting them out there.

An important look at the dynamics of female sexual power and promiscuity in general.

Pub Date: June 6, 2008

ISBN: 978-1-4013-0349-5

Page Count: 224

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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