by Kevan Atteberry ; illustrated by Kevan Atteberry ‧ RELEASE DATE: Sept. 5, 2017
The little monster’s insecurity is provoked after the parent states “I LOVE nothing more / than a midnight romp / while I...
A parent monster tells a child just how much little monster is loved.
The little monster’s insecurity is provoked after the parent states “I LOVE nothing more / than a midnight romp / while I chase wild skink / through the dark, stinky swamp.” The deflated posture and dismayed expression of the child say it all. “Do you love me as much / as the SKINK that you chase / or the SMELL of the swamp / or the BEASTS in this place?” The parent’s reassurance occupies the rest of the book; its love for its child is greater than its affection for bloodsucking ducks, mummified bass, and toe-biting stones—even for two two-headed bears. The duo’s travels through the swamp end at their cozy home with the child tucked in bed, surrounded by (mostly!) stuffed versions of all the creatures from previous pages. The digital illustrations delight in ick and spook, the dark backgrounds contrasting nicely with the pops of color from the creatures the pair meet. The parent and child are green and pink respectively, with orange horns, green fluffy tails, and mops of green hair. While the jacket flap indicates that this is Papa and child, nothing in the text or illustrations indicates gender for either.Pub Date: Sept. 5, 2017
ISBN: 978-0-06-240871-6
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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