edited by Kevin Crossley-Holland ‧ RELEASE DATE: Dec. 1, 2004
Four different artists illustrate these 15 stories told in verse. Selected for their appeal as read-alouds, most are familiar, like “Paul Revere’s Ride,” “Jabberwocky” and “The Creation of Sam McGee,” with a few exceptions like Roald Dahl’s gruesome version of “Goldilocks and the Three Bears.” Described in a foreword by Crossley-Holland as having a penchant for grabbing the reader by the collar and evoking laughter and tears, the poetic tales are visually interpreted with colorful scenes by two English husband-and-wife teams with a large font adding to the appealing page design. An established author briefly introduces each poem, e.g., Cornelia Funke lauds “The Highwayman” and Philip Pullman extols “A Visit from St. Nicholas.” Backmatter provides two pages of notes on the illustrators and four pages on the original authors and their introducers. While adults will discern the different artistic styles, it’s unfortunate that the only place where each story’s illustrator is credited is in the Table of Contents. Otherwise, a fresh approach to some classic verse that kids might otherwise miss. (Poetry. 8-11)
Pub Date: Dec. 1, 2004
ISBN: 0-439-65108-5
Page Count: 128
Publisher: Chicken House/Scholastic
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Dec. 15, 2004
Categories: CHILDREN'S POETRY
Share your opinion of this book
Did you like this book?
More by Kevin Crossley-Holland
BOOK REVIEW
edited by Kevin Crossley-Holland ; illustrated by Frances Castle
BOOK REVIEW
by Kevin Crossley-Holland ; illustrated by Jeffrey Alan Love
BOOK REVIEW
by Kevin Crossley-Holland ; illustrated by Stéphane Jorisch
edited by Lee Bennett Hopkins ; illustrated by Guy Billout ‧ RELEASE DATE: Oct. 1, 2013
Like the old man’s hose, Shakespeare’s “Seven Ages of Man” speech is “a world too wide” to be well-served by this paltry selection of 21 poems, three per “age.”
Hopkins tries to inject some color into the mix with Walt Whitman’s “When I heard the learn’d astronomer,” Elizabeth Barrett Browning’s “How do I love thee?” and Lewis Carroll’s “You are old, father William.” Unfortunately, these, combined with passages from the speech itself, only make his other choices look anemic. To the “infant, / Mewling and puking in the nurse’s arms,” for instance, Rebecca Kai Dotlich offers a bland “Amazing, your face. / Amazing”; on the facing page, a “traditional Nigerian lullaby” is stripped of music: “Sleep my baby near to me. / Lu lu lu lu lu lu.” Along with Joan Bransfield Graham’s “A Soldier’s Letter to a Newborn Daughter,” which ends with a condescending “I’m coming home / to my girls… / With All My Love, / DAD,” most of the rest are cast in prosaic free verse. Hopkins’ “Curtain,” probably written for this collection, closes the set with theatrical imagery. Billout supplies pale, distant views of small figures and some surreal elements in largely empty settings—appropriate, considering the poetry, but they lack either appeal for young audiences or any evocation of the Shakespearean lines’ vigorous language and snarky tone.
A poor performance, “[s]ans teeth, sans eyes, sans taste, sans everything.” (introduction, indexes) (Poetry. 8-11, adult)Pub Date: Oct. 1, 2013
ISBN: 978-1-56846-218-9
Page Count: 40
Publisher: Creative Editions/Creative Company
Review Posted Online: Sept. 18, 2013
Kirkus Reviews Issue: Oct. 1, 2013
Categories: CHILDREN'S POETRY
Share your opinion of this book
Did you like this book?
More by Lee Bennett Hopkins
BOOK REVIEW
edited by Lee Bennett Hopkins ; illustrated by Jen Corace
BOOK REVIEW
edited by Lee Bennett Hopkins ; illustrated by Ellen Shi
BOOK REVIEW
edited by Lee Bennett Hopkins
by Patricia Engel ‧ RELEASE DATE: March 2, 2021
A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.
"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.
The rare immigrant chronicle that is as long on hope as it is on heartbreak.Pub Date: March 2, 2021
ISBN: 978-1-982159-46-7
Page Count: 208
Publisher: Avid Reader Press
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Categories: LITERARY FICTION | FAMILY LIFE & FRIENDSHIP
Share your opinion of this book
Did you like this book?
More by Patricia Engel
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
More About This Book
SEEN & HEARD
by Jane Yolen and photographed by Jason Stemple ‧ RELEASE DATE: Jan. 15, 2010
Poetry and short informative paragraphs combine to celebrate both the elegance and the natural history of the American egret. Haiku, free verse, rhyming couplets and even a limerick are just some of the forms Yolen masterfully uses to engage readers on both aesthetic and scientific levels. Gorgeous photography completes this carefully designed literary science piece with scenes of the egret’s daily life. Stemple captures the egret’s movements as the light of each part of the day, from the yellow-orange glow of sunrise to midday pink to late afternoon sunset blue to evening purple, is reflected on its snow-white feathers. Both the poetry and the brief fact-filled vignettes explain how egrets walk, eat, fly and preen and how their plumes, so lace-like, were once coveted for decorating clothes and hats. A final poem muses on the future of this great wading bird in a country filled with polluted wetlands. A stunning combination of scientific and ecological knowledge offered through a graceful fusion of lyrical and visual media. (Informational picture book/poetry. 8-10)
Pub Date: Jan. 15, 2010
ISBN: 978-1-59078-650-5
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Dec. 1, 2009
Categories: CHILDREN'S ANIMALS | CHILDREN'S POETRY
Share your opinion of this book
Did you like this book?
More by Jane Yolen
BOOK REVIEW
by Jane Yolen ; illustrated by Jen Corace
BOOK REVIEW
by Jane Yolen ; illustrated by Joëlle Dreidemy
BOOK REVIEW
by Jane Yolen & Heidi E.Y. Stemple ; illustrated by Kristen Howdeshell & Kevin Howdeshell
© Copyright 2021 Kirkus Media LLC. All Rights Reserved.
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.
Hey there, book lover.
We’re glad you found a book that interests you!