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THE EMERALD MILE

THE EPIC STORY OF THE FASTEST RIDE IN HISTORY THROUGH THE HEART OF THE GRAND CANYON

An epic-sized true-life adventure tale that appeals to both the heart and the head.

Man’s indomitable need for adventure is the only thing more impressive than the awesome power of nature and the brilliance of technology described in this lovingly rendered retelling of one of the most remarkable events ever to occur inside the Grand Canyon.

In 1983, at the bottom of the Grand Canyon, a confluence of unlikely events provided three unique characters with a once-in-a-lifetime opportunity to become the fastest to ever race through that singular marvel in a rowboat. How these quirky “dory men” were able to surmount every obstacle thrown in their way and actually attempt this remarkable undertaking is breathtaking enough. But theirs is not the only tale being told. This is the story of the Grand Canyon itself, harkening all the way back to the days when a band of befuddled Conquistadors first stumbled upon its rim and failed to grasp its magnitude. It is also the story of the Glen Canyon Dam, that Herculean feat of human ingenuity that was constructed with the staggering imperative to harness the power of the Colorado River. Former Time staff writer Fedarko’s extensive knowledge of both, coupled with his powers of description, are almost as impressive. Powerful and poetic passages put readers inside the adventurers’ boats, even if they have only ever imagined the Grand Canyon or seen it in pictures. “Every mile or so, the walls opened and gave way to yet another side canyon filled with secret springs and waterfalls,” he writes. “The air was alive with pink-and-lavender dragonflies that paused, twitchingly, on the shafts of their suspended oars.” Each piece of the extensive back story is assembled as lyrically as the epoch-spanning walls of the canyon itself and as assuredly as the soaring concrete face of its dams.

An epic-sized true-life adventure tale that appeals to both the heart and the head.

Pub Date: May 7, 2013

ISBN: 978-1-4391-5985-9

Page Count: 432

Publisher: Scribner

Review Posted Online: May 4, 2013

Kirkus Reviews Issue: May 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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