A jauntily paced tale of exploration and romance hampered by unmemorable prose.

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HIGH VISTA

In Gaylord’s (Delivering English, 2013) second novel, a group of college-aged camp counselors work to find a pirate’s treasure near their summer camp in rural Virginia.

After a brief setup in 1709 describing how a pirate’s gold came to reside in an unlikely place, the story jumps forward to 1954 as Neil McEwan and four friends make their way to High Vista, a sprawling summer camp. Neil is the clear protagonist, but the ensemble cast includes free-wheeling braggart Ace; Neil’s charming love interest Sandy; faithful standby Sam; and their demurring companion Cathy. Like any good summer camp, High Vista has some legends that circulate among its campers and counselors; chief among them is that a pirate named “Shifty” Winston hid a treasure of gold coins somewhere nearby. When the group camps off-site, Ace dares Neil to sneak into the cabin of Norman Horowitz, the camp technician. There, Neil uncovers a letter from none other than Shifty himself, and it contains a fairly clear allusion to where the treasure might be hidden. The story then follows an Indiana Jones–like trajectory as the group braves treacherous caverns, waterfalls, underwater rivers and the like. It’s a serviceable, if familiar, narrative, which clearly favors sprightly pacing over other literary considerations. Gaylord throws plenty of physical hardships in front of his characters, and they meet each with unflagging, gee-whiz enthusiasm that’s reminiscent of Hardy Boys adventures: “Now get in the dang water,” Sandy says, for example, during one of the novel’s many climactic moments. If the prose were more confident, however, it might have strengthened the narrative. For example, the description of Neil and Sandy’s first kiss says that “[t]here are no words that can describe a moment like that,” which reads more like an admission of defeat than a genuine expression of the moment’s beauty.

A jauntily paced tale of exploration and romance hampered by unmemorable prose. 

Pub Date: Feb. 15, 2014

ISBN: 978-1494411299

Page Count: 158

Publisher: CreateSpace

Review Posted Online: May 1, 2014

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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Shalvis’ latest retains her spark and sizzle.

ALMOST JUST FRIENDS

Piper Manning is determined to sell her family’s property so she can leave her hometown behind, but when her siblings come back with life-changing secrets and her sexy neighbor begins to feel like “The One,” she might have to redo her to-do list.

As children, Piper and her younger siblings, Gavin and Winnie, were sent to live with their grandparents in Wildstone, California, from the Congo after one of Gavin’s friends was killed. Their parents were supposed to meet them later but never made it. Piper wound up being more of a parent than her grandparents, though: “In the end, Piper had done all the raising. It’d taken forever, but now, finally, her brother and sister were off living their own lives.” Piper, the queen of the bullet journal, plans to fix up the family’s lakeside property her grandparents left the three siblings when they died. Selling it will enable her to study to be a physician’s assistant as she’s always wanted. However, just as the goal seems in sight, Gavin and Winnie come home, ostensibly for Piper’s 30th birthday, and then never leave. Turns out, Piper’s brother and sister have recently managed to get into a couple buckets of trouble, and they need some time to reevaluate their options. They aren’t willing to share their problems with Piper, though they’ve been completely open with each other. And Winnie, who’s pregnant, has been very open with Piper’s neighbor Emmitt Reid and his visiting son, Camden, since the baby’s father is Cam’s younger brother, Rowan, who died a few months earlier in a car accident. Everyone has issues to navigate, made more complicated by Gavin and Winnie’s swearing Cam to secrecy just as he and Piper try—and fail—to ignore their attraction to each other. Shalvis keeps the physical and emotional tension high, though the siblings’ refusal to share with Piper becomes tedious and starts to feel childish.

Shalvis’ latest retains her spark and sizzle.

Pub Date: Jan. 28, 2020

ISBN: 978-0-06-296139-6

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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