by Kevin Glavin ‧ RELEASE DATE: Jan. 1, 2010
A smart, entertaining send-up of celebrity under siege.
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A rock star searching for his soul embarks on an underworld picaresque in this gonzo satirical romance.
Rook Heisenberg, frontman for the stupefyingly vapid band the Little Bang, experiences every facet of rock-star life—the adoring fans, the glitzy mansion, the three-ways with random bimbos—and a dazed sense of anomie, salved only by memories of his long-lost high-school sweetheart Hula. Once an Internet search and an e-mail reforge that link, Rook is off to Amsterdam, where he discovers that Hula has become the moll of Svidrigailov, a Russian gangster who has put her to work in his brothel, and that Rook and Hula have a teenage daughter named Boudicca, whom Svidrigailov has sequestered in Mumbai. Accompanied by his bodyguard, a beautiful Chinese woman who is as blasé about mass killings as she is about group sex, Rook sets out for India to rescue Boudicca from white slavery. There he is overwhelmed by street urchins, Bollywood stars, menacing thugs who melt when he croons to them, and a pharmaceutical consciousness-raiser so potent that it threatens to destroy his narcissistic cocoon. Rook’s quest gives the author a broad canvas for a funny, sardonic portrait of fame at its most inescapable: as he dispenses autographs and $100 bills to an ever-changing throng of autograph-seekers and flunkies who secretly despise him, he’s constantly confronted with billboards of himself hawking his fashion line. Glavin tells the story with a polished prose style and threads it with intriguing allusions to everything from magic squares to Van Gogh and Dostoevsky. Amid the breezy, Tarantino-esque provocations, he smuggles pathos into Rook’s search for family and meaning, though the debauches and dismemberments proceed in such a casual, jaded tone that they drain some of the novel’s emotional charge. But this diverting, imaginative read keeps the pages turning.
A smart, entertaining send-up of celebrity under siege.Pub Date: Jan. 1, 2010
ISBN: 978-0982546628
Page Count: 498
Publisher: Kevin Glavin
Review Posted Online: Jan. 17, 2011
Kirkus Reviews Issue: March 1, 2011
Review Program: Kirkus Indie
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BOOK REVIEW
by Kevin Glavin illustrated by Sarah Grepo
by Stephen King ‧ RELEASE DATE: Nov. 4, 1983
This novel began as a reworking of W.W. Jacobs' horror classic "The Monkey's Paw"—a short story about the dreadful outcome when a father wishes for his dead son's resurrection. And King's 400-page version reads, in fact, like a monstrously padded short story, moving so slowly that every plot-turn becomes lumberingly predictable. Still, readers with a taste for the morbid and ghoulish will find unlimited dark, mortality-obsessed atmosphere here—as Dr. Louis Creed arrives in Maine with wife Rachel and their two little kids Ellie and Gage, moving into a semi-rural house not far from the "Pet Sematary": a spot in the woods where local kids have been burying their pets for decades. Louis, 35, finds a great new friend/father-figure in elderly neighbor Jud Crandall; he begins work as director of the local university health-services. But Louis is oppressed by thoughts of death—especially after a dying student whispers something about the pet cemetery, then reappears in a dream (but is it a dream) to lead Louis into those woods during the middle of the night. What is the secret of the Pet Sematary? Well, eventually old Jud gives Louis a lecture/tour of the Pet Sematary's "annex"—an old Micmac burying ground where pets have been buried. . .and then reappeared alive! So, when little Ellie's beloved cat Church is run over (while Ellie's visiting grandfolks), Louis and Jud bury it in the annex—resulting in a faintly nasty resurrection: Church reappears, now with a foul smell and a creepy demeanor. But: what would happen if a human corpse were buried there? That's the question when Louis' little son Gage is promptly killed in an accident. Will grieving father Louis dig up his son's body from the normal graveyard and replant it in the Pet Sematary? What about the stories of a previous similar attempt—when dead Timmy Baterman was "transformed into some sort of all-knowing daemon?" Will Gage return to the living—but as "a thing of evil?" He will indeed, spouting obscenities and committing murder. . .before Louis must eliminate this child-demon he has unleashed. Filled out with overdone family melodrama (the feud between Louis and his father-in-law) and repetitious inner monologues: a broody horror tale that's strong on dark, depressing chills, weak on suspense or surprise—and not likely to please the fans of King's zestier, livelier terror-thons.
Pub Date: Nov. 4, 1983
ISBN: 0743412281
Page Count: 420
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Nov. 1, 1983
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by Stephen King
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by Stephen King
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by Stephen King
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BOOK TO SCREEN
by Stephanie Greene & illustrated by Martha Weston ‧ RELEASE DATE: Sept. 18, 2000
In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)
Pub Date: Sept. 18, 2000
ISBN: 0-618-02369-0
Page Count: 96
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
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