A touching portrait of the fall season from two superb artists.
Author-illustrator duo Henkes and Dronzek extol the quiet splendors of autumn in this lyrical, exquisite complement to their previous seasonal outing, When Spring Comes (2016).
Its crown full of reddish-orange leaves, a tree stands against a gray sky. “In the middle of Fall, / when the leaves / have already turned,” the narrator begins. Measured and understated, Henkes’ text masterfully raises and stirs moods and sensations in pieces, each building on top of the other. A fair-skinned child in a red hooded sweatshirt and yellow boots sits on a swing, a brown dog sitting on the ground nearby. Squirrels scurry about, gardens wither, and pumpkins “are ready” as various children pluck them off the ground. All it takes is “just one big gust of wind,” says the wistful narrator, and suddenly “everything is yellow / and red / and orange.” Solid lines and deep autumnal colors abound in Dronzek’s gorgeous acrylic illustrations, which fill the spaces left untouched by the text. In pace and richness, text and pictures dreamily embody the essence of fall, which in this book marks a transition both bittersweet and inevitable. Enjoy the child and dog at play throughout these autumn landscapes, because before either of them knows it (and perhaps before readers realize it as well), change will come again.
A touching portrait of the fall season from two superb artists. (Picture book. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-06-257311-7
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: June 26, 2017
Kirkus Reviews Issue: July 15, 2017
Quirky, familiar fun for series devotees.
After Duncan finds his crayons gone—yet again—letters arrive, detailing their adventures in friendship.
Eleven crayons send missives from their chosen spots throughout Duncan’s home (and one from his classroom). Red enjoys the thrill of extinguishing “pretend fires” with Duncan’s toy firetruck. White, so often dismissed as invisible, finds a new calling subbing in for the missing queen on the black-and-white chessboard. “Now everyone ALWAYS SEES ME!…(Well, half the time!)” Pink’s living the dream as a pastry chef helming the Breezy Bake Oven, “baking everything from little cupcakes…to…OTHER little cupcakes!” Teal, who’s hitched a ride to school in Duncan’s backpack, meets the crayons in the boy’s desk and writes, “Guess what? I HAVE A TWIN! How come you never told me?” Duncan wants to see his crayons and “meet their new friends.” A culminating dinner party assembles the crayons and their many guests: a table tennis ball, dog biscuits, a well-loved teddy bear, and more. The premise—personified crayons, away and back again—is well-trammeled territory by now, after over a dozen books and spinoffs, and Jeffers once more delivers his signature cartooning and hand-lettering. Though the pages lack the laugh-out-loud sight gags and side-splittingly funny asides of previous outings, readers—especially fans of the crayons’ previous outings—will enjoy checking in on their pals.
Quirky, familiar fun for series devotees. (Picture book. 4-7)Pub Date: June 3, 2025
ISBN: 9780593622360
Page Count: 40
Publisher: Philomel
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
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BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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BOOK REVIEW
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