Enjoyable, funny, and thought-provoking speculative fiction.
Hincker presents an SF story of first contact, human survival, and banking.
When aliens first arrived on Earth in the year 2047, economist Diana Roark, the CEO of Roark Pharmaceuticals, was down on the ocean floor on a near-fatal deep-water bioprospecting mission that “shattered” an arm and a leg. As a result, she missed the alien visitation; three hours after they showed up, they were gone, having provided Augmentation that made all bodies on Earth run at peak efficiency and mysterious Obelisks that provided all of humanity’s basic needs. Thirty years later, the whole world has changed: “Why work, they had reasoned, at meaningless careers, when food and water were free, health care unnecessary, and when the natural elements had been conquered?” But for Diana, everything remained the same; as far as she knows, she’s the only human who didn’t go through Augmentation. Now 60—and unlike everyone else, showing her age—she has bone cancer that’s about to end her life, so she decides to go on the secret vacation she’s been planning. But before she can fulfill her last wishes, she’s kidnapped by an operative from the World Bank who mistakenly believes that she knows more about the aliens than anyone else does. She’s rescued by Robert, a foulmouthed alien account executive who resembles broccoli and who tells Diana she has only 48 hours left to save Earth. What follows is a unique, frantic, fun, and thought-provoking SF tale that takes surprising twists and turns. Often, it delivers unexpectedly humorous observations: “It wasn’t much of a plan, but economists were notorious for unreasonable passions and commitment to untestable theories.” Hincker essentially offers a book about banking and economists—who are both the villains and heroes of this piece—that’s anything but dry or dogmatic. Quite the contrary, it’s a zany romp with heart, reminiscent of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy (1980) and its sequels as it follows Diana in her earnest journey of healing and heroism. An open ending promises more delights to come.
Enjoyable, funny, and thought-provoking speculative fiction.Pub Date: May 1, 2023
ISBN: 9798987630105
Page Count: 316
Publisher: N/A
Review Posted Online: Feb. 17, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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