Enjoyable, funny, and thought-provoking speculative fiction.
Hincker presents an SF story of first contact, human survival, and banking.
When aliens first arrived on Earth in the year 2047, economist Diana Roark, the CEO of Roark Pharmaceuticals, was down on the ocean floor on a near-fatal deep-water bioprospecting mission that “shattered” an arm and a leg. As a result, she missed the alien visitation; three hours after they showed up, they were gone, having provided Augmentation that made all bodies on Earth run at peak efficiency and mysterious Obelisks that provided all of humanity’s basic needs. Thirty years later, the whole world has changed: “Why work, they had reasoned, at meaningless careers, when food and water were free, health care unnecessary, and when the natural elements had been conquered?” But for Diana, everything remained the same; as far as she knows, she’s the only human who didn’t go through Augmentation. Now 60—and unlike everyone else, showing her age—she has bone cancer that’s about to end her life, so she decides to go on the secret vacation she’s been planning. But before she can fulfill her last wishes, she’s kidnapped by an operative from the World Bank who mistakenly believes that she knows more about the aliens than anyone else does. She’s rescued by Robert, a foulmouthed alien account executive who resembles broccoli and who tells Diana she has only 48 hours left to save Earth. What follows is a unique, frantic, fun, and thought-provoking SF tale that takes surprising twists and turns. Often, it delivers unexpectedly humorous observations: “It wasn’t much of a plan, but economists were notorious for unreasonable passions and commitment to untestable theories.” Hincker essentially offers a book about banking and economists—who are both the villains and heroes of this piece—that’s anything but dry or dogmatic. Quite the contrary, it’s a zany romp with heart, reminiscent of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy (1980) and its sequels as it follows Diana in her earnest journey of healing and heroism. An open ending promises more delights to come.
Enjoyable, funny, and thought-provoking speculative fiction.Pub Date: May 1, 2023
ISBN: 9798987630105
Page Count: 316
Publisher: N/A
Review Posted Online: Feb. 17, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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