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MAY OUR JOY ENDURE

An astute critique of entrenched power.

An architect’s travails.

Award-winning Canadian novelist Lambert weaves a hypnotic narrative, smoothly translated from French by Winkler, about greed and inequality, hypocrisy, and, not least, a “dangerous notion of purity” emerging from vociferous public clamor. The novel is centered on internationally acclaimed architect Celine Wachowski, renowned for her design of New York and Tokyo skyscrapers; the Abu Dhabi Guggenheim Museum; and luxury residences in Paris, New York, Los Angeles, and the Hamptons, for clients including Sigourney and Meryl, Madonna and Julianne. The host of a Netflix series, Old House, New House, Celine congratulates herself on educating viewers about “architecture, design, urbanism, and the history of little-known cultures.” As the novel opens, she is overseeing the construction of a vast complex in the outskirts of her native Montreal for the headquarters of the corporate monolith WeBuy. Located on “unceded Indigenous territory,” the complex, she feels certain, will revive a decrepit area, commercially and aesthetically. She is unprepared, then, for the eruption of protests against the building and, soon, against her. A two-part New Yorker article digs deeply into her work and life, underscoring the “social cost” of her creations, which are “reserved for only a tiny segment of the population,” accusing her of exploitation, racism, and sexism. Older intellectuals sign editorials excoriating capitalist ideology; “young detractors and women who spoke up called her an abuser, she had committed symbolic rape….” Well versed in the theoretical underpinnings of social and cultural debates, Lambert skewers “the fascist old guard that is behind the current right-thinking left”; the pretensions of the conspicuously virtuous, such as Celine’s employee who carries a vegan leather bag and dresses “in an armour of European linen made 50 percent from sustainable materials”; and Celine’s slippery, self-serving transformation.

An astute critique of entrenched power.

Pub Date: Sept. 3, 2024

ISBN: 9781771966207

Page Count: 224

Publisher: Biblioasis

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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