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Life Inside the Dead Man's Curve

THE CHRONICLES OF A PUBLIC SAFETY HELICOPTER PILOT

A delightful, informative homage to a life of flight.

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A pilot’s debut memoir highlights the joys and risks of flying.

There’s been no scarcity of movies and books valorizing the miracle of aviation, but few have effectively captured the personal perspectives of the pilots themselves. Here, McDonald describes, through anecdotal reflection, his life as a helicopter pilot and artfully reveals the perils unique not only to aviation, but to his particular vehicle. He discusses his start in naval aviation school, where he initially trained to become a jet pilot. His struggles with motion sickness were so severe that he changed course and learned how to fly a helicopter—a less glamorous option but one with plenty of its own dangers. Eventually, he became a pilot in the Texas Shock Trauma Air Rescue program, which provided him with a diverse array of challenges that ranged from the routine (transporting medical personnel) to the extraordinary (undertaking rescue missions in extreme weather). In one of the book’s highlights, the author gives a play-by-play depiction of a harrowing rescue in torrential rain that caused severe flooding. Although the prose is consistently lighthearted and even humorous, it also seriously chronicles the palpable sense of risk in McDonald’s profession: “Aviation, in general, is inherently unforgiving,” he writes. “The list of competent, well-respected aviators who have died while plying their trade is sobering to contemplate.” In fact, his career was eventually brought to an end by injuries that inflicted permanent neurological damage. He astutely portrays the psyche of the pilot, a fascinating brew of perpetual preparedness and type A bravado. He also leavens his depictions of crisis and insecurity with breezy storytelling, as when he tells a genuinely funny story about how a conversation with Lee Harvey Oswald’s daughter partially inspired his career as a STAR pilot. At times, readers may be overwhelmed by the minutiae of administrative details, but they’ll likely welcome the author’s lengthy presentations of the technical aspects of flying. This is a memoir, first and foremost, but McDonald’s devotion to capturing the character of flight promises broader appeal.

A delightful, informative homage to a life of flight.

Pub Date: Jan. 11, 2016

ISBN: 978-1-4575-4494-1

Page Count: 380

Publisher: Dog Ear

Review Posted Online: March 2, 2016

Kirkus Reviews Issue: April 1, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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