Crisp, punchy reminiscences that mostly resonate but occasionally ring hollow.
A pop-culture–infused, sexually charged memoir of growing up in the Pacific Northwest in the 1970s.
Sampsell (Creamy Bullets, 2008, etc.) structures the narrative as a series of brief vignettes, retroactively assembling the jagged pieces of a family history splintered by abuse, abortion, incest, addiction and institutionalization. The author effectively combines swift, lyrical prose and provocative subject matter, including childhood and adolescent exploits in suburban environs, fluctuating interpersonal relationships, sexual experimentation, popular music, pornography addiction, Catholicism and racial tension. The author presents his work as a “memory experiment” spurred by the death of his father and the resulting revisitation of old places; the fragmentation of the narrative reflects the piecemeal nature of memory. In the introduction, Sampsell focuses tightly on his father, presenting him as a wrathful phantasm. The author then moves on to his adolescence, during which he remained ignorant of his complex and troubled father’s greatest transgressions. He chronicles his growing interest in radio broadcasting, relationships and sex. Eventually he had a son of his own, prompting an oath to be a better father than his had been, but we see little of that father/son relationship, other than an occasional mention. It’s an odd reticence, considering the candor with which Sampsell describes the loss of his virginity to an impassive prostitute, or his participation in mutual masturbation in a sex-shop video booth.
Crisp, punchy reminiscences that mostly resonate but occasionally ring hollow.Pub Date: Jan. 1, 2010
ISBN: 978-0-06-176610-7
Page Count: 256
Publisher: Perennial/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2009
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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