by Kevin Sampsell ‧ RELEASE DATE: Jan. 1, 2010
Crisp, punchy reminiscences that mostly resonate but occasionally ring hollow.
A pop-culture–infused, sexually charged memoir of growing up in the Pacific Northwest in the 1970s.
Sampsell (Creamy Bullets, 2008, etc.) structures the narrative as a series of brief vignettes, retroactively assembling the jagged pieces of a family history splintered by abuse, abortion, incest, addiction and institutionalization. The author effectively combines swift, lyrical prose and provocative subject matter, including childhood and adolescent exploits in suburban environs, fluctuating interpersonal relationships, sexual experimentation, popular music, pornography addiction, Catholicism and racial tension. The author presents his work as a “memory experiment” spurred by the death of his father and the resulting revisitation of old places; the fragmentation of the narrative reflects the piecemeal nature of memory. In the introduction, Sampsell focuses tightly on his father, presenting him as a wrathful phantasm. The author then moves on to his adolescence, during which he remained ignorant of his complex and troubled father’s greatest transgressions. He chronicles his growing interest in radio broadcasting, relationships and sex. Eventually he had a son of his own, prompting an oath to be a better father than his had been, but we see little of that father/son relationship, other than an occasional mention. It’s an odd reticence, considering the candor with which Sampsell describes the loss of his virginity to an impassive prostitute, or his participation in mutual masturbation in a sex-shop video booth.
Crisp, punchy reminiscences that mostly resonate but occasionally ring hollow.Pub Date: Jan. 1, 2010
ISBN: 978-0-06-176610-7
Page Count: 256
Publisher: Perennial/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2009
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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