The snapshot format necessarily risks superficiality, but these images and dispatches from the numberless rooms of hell have...
An online reporter visits some of the world’s nastiest places, where wars rage and ordinary people with extraordinary courage suffer unspeakable pain and loss.
Freelancing for NBC News in 2004, Sites shot the controversial footage seen around the world of a Marine murdering a helpless wounded Iraqi in a mosque. That episode and its aftermath, followed by his coverage of the 2004 tsunami (he happened to be scuba diving in the most affected region), form a prologue to the main story. When NBC offered him a staff job on the condition that he get a haircut, shave his goatee and go to “correspondent ‘boot camp,’ ” Sites turned instead to Yahoo! News to develop his “Hot Zone” project: a website featuring footage, text and slide shows from the world’s most searing spots. From September 2005 to August 2006, he skimmed the globe, stopping for brief periods to interview locals; observe battles; visit hospitals, morgues and ruined neighborhoods; and, when madness threatened, to surf or kick around a soccer ball with some teenagers. On his itinerary: Mogadishu, the Congo, Uganda, Sudan, Iraq, Jordan, Lebanon, Iran, Syria, Israel and just about every other place where people were killing one another for reasons ranging from religious differences to territorial disputes. Sites believes that a single individual’s story can often be the best way to make us see vast landscapes of brutality and suffering, and so he tells us about people who’ve lost limbs to land mines, entire families to a tsunami, a husband to errant shrapnel, a future to the insidious workings of Agent Orange. “War poses as combat, but is really collateral damage,” he writes. “The actual fighting between armed groups is a small and infrequent element, while the violence they radiate on civil society and themselves will last for generations.”
The snapshot format necessarily risks superficiality, but these images and dispatches from the numberless rooms of hell have an undeniable cumulative power.Pub Date: Oct. 16, 2007
ISBN: 978-0-06-122875-9
Page Count: 352
Publisher: Perennial/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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