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THE THINGS THEY CANNOT SAY

STORIES SOLDIERS WON'T TELL YOU ABOUT WHAT THEY'VE SEEN, DONE OR FAILED TO DO IN WAR

An important book for warriors and the communities that send them to war.

Veterans from Vietnam to Iraq and Afghanistan—including Sites himself as a war correspondent (In the Hot Zone: One Man, One Year, Twenty Wars, 2007)—tell their tales of the struggle to survive on and after the battlefield, in the hopes that such storytelling may be a way “to release warriors from the bonds of their own silence.”

Lance Cpl. James Sperry writes, “I am only twenty-four and have lived a life I wish on no one.” Such is the common thread of despair to be found among these warriors’ tales. In combat, they did and saw things no one should endure. They killed—the enemy, civilians, their own troops as a result of friendly fire. They saw friends blown apart, and they were wounded. They grew rabid with anger and a desire to kill. Then they were expected to return to friends, family and community unchanged from these horrors. But this was not possible, as veteran after veteran experienced PTSD. Too often in silence, combat veterans suffered from an inability to reconnect, to love, to be simply normal. Sites includes himself among the lost, as he recounts how his “confused incompetent inaction” led to the murder of Iraqi insurgent Taleb Salem Nidal. Sites thus joined the ranks of those suffering from PTSD—covering guilt, shame and fear in a haze of alcohol and marijuana, numbed by taking “a chef’s salad of [prescribed] drugs every day,” losing wives and loved ones who could not understand their sullen withdrawal. However, in sensitive, honest prose, the author emphasizes that this is a book about hope. Most of the wounded warriors eventually found their way back, including Sites, and part of the healing process involves telling their stories. The author allows himself and the combat veterans he interviews the space to do so.

An important book for warriors and the communities that send them to war.

Pub Date: Jan. 2, 2013

ISBN: 978-0-06-199052-6

Page Count: 336

Publisher: Perennial/HarperCollins

Review Posted Online: Oct. 6, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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