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WHEN WE WERE LOST

Marginal.

A group of students survive a catastrophic plane crash only to be stranded deep in the Amazon.

Seventeen-year-old Tom Calloway, who is not much of a joiner, is on his way to Costa Rica for a two-week field trip at his guardian’s insistence. To their horror, after violent turbulence turns out to be the plane shearing in half as it crashes, only Tom and 18 other students survive out of all the passengers. Now comes the hard part: Having flown for several extra hours on a different course in what seems to be an intentional pilot deviation from the route, the teens are now isolated in the sweltering jungle with little hope of rescue. To survive the heat and predators, the group will have to rely on their skills and each other—easier said than done when insecurities and stubbornness become lethal. Wignall (Blood, 2018, etc.) doesn’t quite deliver on a promising concept here. The tried-and-true tropes of survival narratives along with empowering teen expertise are featured well; questions and consequences of leadership vs. collaboration play out effectively if a little ham-handedly. Things fall apart with the clumsier contrivances, like the recycling of Final Destination plot points, the utter lack of development around the characters’ experience of trauma that crashes just about any suspension of disbelief, and some action-over-quality scenes. South American drug runners and a single black student are the extent of diversity among the cast.

Marginal. (Adventure. 14-18)

Pub Date: June 4, 2019

ISBN: 978-0-316-41779-2

Page Count: 320

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: March 23, 2019

Kirkus Reviews Issue: April 15, 2019

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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EVERY EXQUISITE THING

An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty.

In this retelling of a classic, a drama student’s obsession with beauty leads her down a dark—and possibly deadly—path.

Eighteen-year-old Penny Paxton is beginning her first year at Dorian Drama Academy in Edinburgh, Scotland, where she hopes to follow in her starlet mother’s footsteps—and earn the love that her mother has never seemed to offer. At Dorian, Penny is mentored by Royal Shakespeare Company legend Orlagh Camran, who makes her the compelling offer of a portrait by the Masked Painter, a mysterious artist with the ability to gift his subjects everlasting youth and beauty. But shortly after Penny’s portrait is complete, several of the Masked Painter’s subjects are found murdered. Fearing that she’s made a terrible mistake and may become the next victim, Penny, who’s gay, begins to investigate the murders with the help of an unlikely ally. As she attempts to uncover the truth surrounding the Masked Painter and the murders, she’s forced to reckon with her own toxic obsession with beauty. This chilling, atmospheric novel, inspired by The Picture of Dorian Gray, is entertaining and full of twists, though some of the reveals feel contrived and some questions are left unanswered. The plot unravels at a leisurely pace but eventually builds to an action-packed (if somewhat convoluted) conclusion. Most characters are cued white.

An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty. (content note, author’s note, bonus scene) (Fantasy thriller. 14-18)

Pub Date: May 26, 2026

ISBN: 9781250346797

Page Count: 384

Publisher: Wednesday Books

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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