A carefully crafted opening for difficult but important conversations.
A youngster finds a way to heal after sexual abuse by a mentor.
Shreya loves art class, including her teacher, Mr. Rao. When she wears her favorite brightly colored dress to school on her birthday, she is overjoyed that he wants to paint her portrait. But once she is alone with him in the art room, Mr. Rao kisses her and tells her to keep it a secret. Shreya feels ashamed that she didn’t say no or tell a trusted adult—all things she’s been told to do if someone makes her feel uncomfortable. As Shreya makes her paintings drab and ugly to avoid standing out, Anand’s expressive illustrations turn dark and shadowy, reflecting Shreya’s turbulent emotional state. Finally, another girl reports Mr. Rao to the principal, which empowers Shreya to tell her mother what happened. Color begins to return to the illustrations. The next time Shreya goes to art class, Mr. Rao is gone. Standing beside her classmate and looking at a blank canvas, Shreya realizes she can begin to paint in color again. Patel deals with a devastating topic in a direct but age-appropriate way; importantly, she normalizes the complex feelings and reactions that youngsters can experience in the wake of abuse even after receiving education about consent, and she models a truly supportive and loving adult response. Shreya and her mother are brown-skinned and of South Asian heritage.
A carefully crafted opening for difficult but important conversations. (resources, social worker’s note) (Picture book. 5-10)Pub Date: March 3, 2026
ISBN: 9781646146307
Page Count: 40
Publisher: Levine Querido
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
BOOK REVIEW
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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