A heroine who plays the hand she’s dealt—nothing more, nothing less.
A fictional biography of one of North Carolina’s first female African American real estate entrepreneurs.
Josephine Leary’s home life is at the center of this novel, while her real estate investment business is conducted mainly offstage. The main conflict is with her husband, Archer, aka Sweety, making for a somewhat pedestrian tale of occasional domestic strife. Although he seemed to appreciate Jo’s business acumen before they married, Sweety needles her about her work outside the home, which is, at first, mainly in their family business, a barbershop in Edenton, North Carolina. Sweety resents the fact that Jo has her own money—derived from income properties she began buying with a wedding gift of $500 from her father, a White former Confederate officer—and when she spends it on their family, for example buying a new buggy, buying their rental house, and buying their barbershop, he feels shamed as a man. Which does not prevent him, as Josephine’s first-person narration reminds us often, from splurging on expensive whisky. Jo, her grandmother, mother, and brother were all formerly enslaved on plantations in North Carolina. Now (the narrative spans the 1870s to the early 1890s), they are all doing well in Edenton, a prosperous community that appears relatively free of racial strife. Jo is never fazed by the racism she does encounter, not to mention the sexism. A White seller refuses to deal with her on her first property purchase, until "his greed outweighs his prejudice." She dismisses racial slurs by White women as a product of poor upbringing. The worst racist aggression—three drunken former Confederates disrupt church Juneteenth festivities with a wagonload of rotten tomatoes—is investigated by the local sheriff only at the behest of Sweety, who passes for White. Although Jo’s achievements are certainly worthy of being celebrated, her relatively obstacle-free path to prosperity, as well as her fictional doppelgänger’s total lack of vulnerability, saps the narrative of tension. We’re left with a pleasant panorama of middle-class small-town life in the late 19th century.
A heroine who plays the hand she’s dealt—nothing more, nothing less.Pub Date: Feb. 1, 2022
ISBN: 978-1-9821-6368-6
Page Count: 336
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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