A fun little murderous romp.
Three women linked to the same man attend his wedding, then try to figure out who’s framing them for his new bride’s murder.
Maya Romero, estranged daughter of a mobster, is a tennis star who’s just won Wimbledon. She hasn’t spoken to her boyfriend, Peter Frank, in a week, but she’s been invited to a party at his parents’ house. What she doesn’t know is that it’s a wedding between her boyfriend and another woman, Tilly Dansforth. Catherine Farr has also been invited to the party. She broke up with Peter 12 years earlier when he cheated on her with another woman, Monica, but she knows they’re destined to be together, so whenever he’s needed her, she’s come running. Monica’s sister, Leanne Gladstone, is tied to Peter because of the child Monica and Peter had as a result of their affair. When Monica died in a car accident, Leanne and her husband took in Hudson, now 11. Hours before her surprise wedding, Tilly calls all three women to Peter’s room and tells them to back off—he will no longer be in their lives. When Tilly turns up dead the next morning, all three are left scrambling, trying to figure out why there’s incriminating evidence pointing to them. Peter’s ability to string all three women along with his lies—that he loves Maya and Catherine, that he will be granting Leanne full custody of Hudson—begins to unravel as they confer with one another and realize his playboy ways. Of course, there’s a satisfying twist at the end as all is revealed. Love, betrayal, and the choices that women are willing to make to protect the people they love are deliciously unpacked.
A fun little murderous romp.Pub Date: July 30, 2024
ISBN: 9781668038109
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: April 19, 2024
Kirkus Reviews Issue: May 15, 2024
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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