Thoughtful and introspective.
More female-centric meandering through Arthuriana.
The sequel to 2019’s The Guinevere Deception continues to retell in close third-person the story of Guinevere, a magical blank slate with almost no memories of her past and little understanding of herself other than an unshakeable conviction in Arthur, as she tries to “fight like a queen” rather than a witch. The plot holds few surprises, being more a study of Guinevere’s internal landscape peppered with bursts of action slowed by Guinevere’s constant self-doubt. Cipher Guinevere wants to understand herself, but her lack of memory means she has little depth to draw from; she has limited identity beyond the questions she ponders and asks of her world. Happily, those questions revolve around power and nature as well as recurring themes of who and how to be, providing rich intellectual fodder for readers who want a think-y book with few conclusions (although the ending implies they are coming in Volume 3). In this version of Arthur’s legend, magic is chaos and female while Camelot is order and male; the exception to this dichotomy is Merlin, who is never seen directly but whose hand and lack of care drive Arthur’s story and give Guinevere a model of power against which to fight. Guinevere is White; secondary characters are diverse, from those with implied Asian and African parentage to a female Lancelot and a lesbian Isolde, although only Lancelot’s identity is interrogated within the context of Guinevere’s questions.
Thoughtful and introspective. (Fantasy. 12-18)Pub Date: Nov. 10, 2020
ISBN: 978-0-525-58171-0
Page Count: 384
Publisher: Delacorte
Review Posted Online: Aug. 27, 2020
Kirkus Reviews Issue: Sept. 15, 2020
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty.
In this retelling of a classic, a drama student’s obsession with beauty leads her down a dark—and possibly deadly—path.
Eighteen-year-old Penny Paxton is beginning her first year at Dorian Drama Academy in Edinburgh, Scotland, where she hopes to follow in her starlet mother’s footsteps—and earn the love that her mother has never seemed to offer. At Dorian, Penny is mentored by Royal Shakespeare Company legend Orlagh Camran, who makes her the compelling offer of a portrait by the Masked Painter, a mysterious artist with the ability to gift his subjects everlasting youth and beauty. But shortly after Penny’s portrait is complete, several of the Masked Painter’s subjects are found murdered. Fearing that she’s made a terrible mistake and may become the next victim, Penny, who’s gay, begins to investigate the murders with the help of an unlikely ally. As she attempts to uncover the truth surrounding the Masked Painter and the murders, she’s forced to reckon with her own toxic obsession with beauty. This chilling, atmospheric novel, inspired by The Picture of Dorian Gray, is entertaining and full of twists, though some of the reveals feel contrived and some questions are left unanswered. The plot unravels at a leisurely pace but eventually builds to an action-packed (if somewhat convoluted) conclusion. Most characters are cued white.
An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty. (content note, author’s note, bonus scene) (Fantasy thriller. 14-18)Pub Date: May 26, 2026
ISBN: 9781250346797
Page Count: 384
Publisher: Wednesday Books
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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