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THE CAMELOT BETRAYAL

From the Camelot Rising series , Vol. 2

Thoughtful and introspective.

More female-centric meandering through Arthuriana.

The sequel to 2019’s The Guinevere Deception continues to retell in close third-person the story of Guinevere, a magical blank slate with almost no memories of her past and little understanding of herself other than an unshakeable conviction in Arthur, as she tries to “fight like a queen” rather than a witch. The plot holds few surprises, being more a study of Guinevere’s internal landscape peppered with bursts of action slowed by Guinevere’s constant self-doubt. Cipher Guinevere wants to understand herself, but her lack of memory means she has little depth to draw from; she has limited identity beyond the questions she ponders and asks of her world. Happily, those questions revolve around power and nature as well as recurring themes of who and how to be, providing rich intellectual fodder for readers who want a think-y book with few conclusions (although the ending implies they are coming in Volume 3). In this version of Arthur’s legend, magic is chaos and female while Camelot is order and male; the exception to this dichotomy is Merlin, who is never seen directly but whose hand and lack of care drive Arthur’s story and give Guinevere a model of power against which to fight. Guinevere is White; secondary characters are diverse, from those with implied Asian and African parentage to a female Lancelot and a lesbian Isolde, although only Lancelot’s identity is interrogated within the context of Guinevere’s questions.

Thoughtful and introspective. (Fantasy. 12-18)

Pub Date: Nov. 10, 2020

ISBN: 978-0-525-58171-0

Page Count: 384

Publisher: Delacorte

Review Posted Online: Aug. 27, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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