A promising series opener.
An acclaimed master of the female-centric retelling turns her hand to Arthuriana.
Guinevere is a mystery: an impostor princess, daughter of Merlin, and possessor of magical knowledge, she has been sent to Camelot to pose as queen and keep Arthur safe. White (Slayer, 2019, etc.) sets up an ambitious take on Arthurian lore, with many details familiar yet altered—Lancelot is a woman, Mordred is Arthur’s right hand and also very appealing, and Guinevere intends only good, although it seems as if this incarnation may still bring ruin, in this case merely by being magical in a world that has banished magic. The connective tissue of the power women wield despite being overlooked doesn’t always hold together, but the questions Guinevere asks about women and power, and the subtext that chaos is inherently feminine (the defeated Dark Queen, Guinevere, the Lady of the Lake) while Arthur represents masculinity and control, are intriguing—although this volume comes to no conclusions. More diverse than many Camelot representations (Sir Bors has a physical disability, Sir Tristan has brown skin in otherwise white Camelot, and there is a pair of lesbian lovers), this is a retelling designed for a modern audience more interested in people than battles and more intrigued by identity and affection than honor and questing.
A promising series opener. (Fantasy. 12-18)Pub Date: Nov. 5, 2019
ISBN: 978-0-525-58167-3
Page Count: 352
Publisher: Delacorte
Review Posted Online: Aug. 12, 2019
Kirkus Reviews Issue: Sept. 1, 2019
PERSPECTIVES
A sweet if muddled tale of the magic of Appalachia.
A teenage witch goes up against the evil king of the mountain to save a cursed village.
Witch-in-training Verity Vox has spent a year apiece in different villages, helping in any way she can as she learns her art. When it’s time to move on, she receives a sign that shows her where to go next. When the latest sign appears in the form of a note begging for help that floats down on a leaf, she’s eager for the challenge. Verity winds up in Foxfire, a village in the Appalachian mountains that’s been magically cut off from the rest of the world for years, leaving its people close to starvation. The root of their suffering is a man they know as Earl, who lives in the hills and strikes deals with the townspeople that ultimately cause crops to wither, folks to disappear, and the only bridge out of the valley to crumble. Verity is determined to change the villagers’ fortunes, but to do so she’ll have to face off against not just Earl but the ancient power of the mountains itself. Loosely based on the Germanic Erlking legend and told in a voice reminiscent of folktales, the story features a queer romance and a cast that presents white. The convoluted magic system undercuts the strong themes of reciprocity, poverty, and privilege, but Appalachian readers will instantly recognize home.
A sweet if muddled tale of the magic of Appalachia. (Fantasy. 13-18)Pub Date: Aug. 5, 2025
ISBN: 9798890032706
Page Count: 336
Publisher: Page Street
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
SEEN & HEARD
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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