Blind spots around race, culture, and class distract from an otherwise thoughtful, entertaining, and politically relevant...
What happens when you let a feminist into a frat house? Cassandra Davis is about to find out.
When Cassandra's conservative, working-class Midwestern parents—who don’t see the value in a woman’s getting a college degree—are unable to pay the tuition for her dream school in California, she applies for and receives a full-ride scholarship on the basis of her research proposal: an undercover study of Delta Tau Chi, a fraternity plagued by accusations of sexism. At first Cassie is thrilled about the idea of taking the organization down, but after becoming the first successful female pledge in the American fraternity’s history, she finds that her frat brothers are not all villains—in fact, many of them are capable of change. In her debut novel, Roache has created a narrator with a strong, relatable voice as well as a cast of nuanced characters full of pleasant surprises and believable personal growth. However, her prose often slips into the didactic, referencing theory dominated by white feminist icons ranging from Lena Dunham to Andrea Dworkin and Tina Fey. Mentions of the global South disappointingly rely on a victim mentality that oversimplifies women’s struggles there, and her portrayal of working-class families feels condescending. The few characters of color in the book are two-dimensional.
Blind spots around race, culture, and class distract from an otherwise thoughtful, entertaining, and politically relevant coming-of-age story. (Fiction. 16-adult)Pub Date: March 27, 2018
ISBN: 978-0-373-21234-7
Page Count: 448
Publisher: Harlequin Teen
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
BOOK REVIEW
BOOK REVIEW
With introspection replacing battles, this extended epilogue gives breathing room between dramatic arcs but is best for...
A glimpse of the characters dealing with rebuilding and fallout after A Court of Wings and Ruin (2017).
In a change of pace from the usual epic struggle against powerful forces, this slimmer-than-usual volume follows the cast during the festive Winter Solstice holiday. Nods to trouble on the horizon (dissent in the Illyrian ranks, Fae courts eyeing for expansion, and a politically fraught situation among humans) remain distant, the lack of progress at times resulting in frustrating repetition. Cassian’s and Mor’s backstories are explored, and prickly Amren’s low-key relationship storyline is supplemented by her High Fae adjustments (including bodily humor). While Elain is becoming more comfortable, she still wants nothing to do with Lucien (who feels like an outsider nearly everywhere and has his hands full with a self-destructive Tamlin). Severely struggling Nesta self-medicates through alcohol, meaningless sex, pushing everyone away, and finding every last seedy corner of the otherwise utopian Velaris. While Rhys handles politics, Feyre’s storyline revolves around Solstice shopping and art’s potential for healing trauma—when the lovers aren’t telepathically sexting or craving each other. Aside from occasional minor characters, most of the inhuman cast seem white. Several plotlines are predictably resolved.
With introspection replacing battles, this extended epilogue gives breathing room between dramatic arcs but is best for readers who’d prefer downtime with the characters over high stakes. (map, preview of next title) (Fantasy. 16-adult)Pub Date: May 1, 2018
ISBN: 978-1-68119-631-2
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
SEEN & HEARD
SEEN & HEARD
IN THE NEWS
Much like building a bridge stone by stone, this read requires painstaking effort and patience.
Years after the death of their mother, the fourth son in an Australian family of five boys reconnects with his estranged father.
Matthew Dunbar dug up the old TW, the typewriter his father buried (along with a dog and a snake) in the backyard of his childhood home. He searched for it in order to tell the story of the family’s past, a story about his mother, who escaped from Eastern Europe before the fall of the Berlin Wall; about his father, who abandoned them all after their mother’s death; about his brother Clay, who built a bridge to reunite their family; and about a mule named Achilles. Zusak (The Book Thief, 2006, etc.) weaves a complex narrative winding through flashbacks. His prose is thick with metaphor and heavy with allusions to Homer’s epics. The story romanticizes Matthew and his brothers’ often violent and sometimes homophobic expressions of their cisgender, heterosexual masculinity with reflections unsettlingly reminiscent of a “boys will be boys” attitude. Women in the book primarily play the roles of love interests, mothers, or (in the case of their neighbor) someone to marvel at the Dunbar boys and give them jars to open. The characters are all presumably white.
Much like building a bridge stone by stone, this read requires painstaking effort and patience. (Fiction. 16-adult)Pub Date: Oct. 9, 2018
ISBN: 978-1-984830-15-9
Page Count: 544
Publisher: Knopf
Review Posted Online: Aug. 5, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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